Mitchell Marlow, Devin Forney's ' "It's Time To Brawl" was released on its scheduled release date, October 28, 2020. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. It's Time To Brawl's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mitchell Marlow, Devin Forney's "Match Day Hip Hop" album is number 6 out of 8. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, It's Time To Brawl's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of It's Time To Brawl by Mitchell Marlow, Devin Forney to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barely Alive | Oceans Divide | D Major | 9 | 10B | 188 BPM | ||
| Rattle and Hum | Mitchell Marlow, Rathbone Pick, Joshua Collins, Christopher Walters, Spencer Bensch | A Major | 8 | 11B | 95 BPM | ||
| Welcome to the Edge | Plan Three | A♭ Minor | 9 | 1A | 128 BPM | ||
| Dead End Eyes | Cold Black | A♭ Major | 9 | 4B | 115 BPM | ||
| My Curse | Fallible | C Minor | 9 | 5A | 150 BPM | ||
| Fall in Line | Message from Sylvia | B♭ Minor | 9 | 3A | 85 BPM | ||
| Easy to Replace | TrineATX | D Minor | 8 | 7A | 102 BPM | ||
| Timeless | The Oceanside | B Minor | 8 | 10A | 160 BPM | ||
| Running Away | Varna | A Major | 9 | 11B | 161 BPM | ||
| Perpetual Summer | Rathbone Pick, Mitchell Marlow, Christopher Walters, Spencer Bensch | G Major | 9 | 9B | 184 BPM | ||
| Light Escapes | Dangerkids | D♭ Major | 10 | 3B | 155 BPM | ||
| We About to Take Flight | Devin Forney, Joshua Collins, Mitchell Marlow | A Major | 9 | 11B | 147 BPM | ||
| Aftermath | As Lions | D Minor | 10 | 7A | 193 BPM | ||
| Plasma Cutter | Guy Wallace, Zachary Gibson, Nigel Graham, Mitchell Marlow | D♭ Major | 8 | 3B | 140 BPM | ||
| Free | 7eventh Time Down | F♯ Major | 9 | 2B | 155 BPM | ||
| Automatic | Deadset Society | D♭ Minor | 9 | 12A | 128 BPM | ||
| Up from Here - Instrumental Version | Rathbone Pick, Mitchell Marlow | F Major | 7 | 7B | 152 BPM | ||
| White Noise | Archetypes Collide | D♭ Minor | 9 | 12A | 170 BPM | ||
| Now More Than Ever | Mitchell Marlow, Christopher Michael Walters | B Minor | 10 | 10A | 180 BPM | ||
| What Are We Fighting for? | Everyone Loves A Villain | F Minor | 9 | 4A | 88 BPM | ||
| Back To Life | Alive In Barcelona | D♭ Minor | 9 | 12A | 145 BPM | ||
| March Out Of Line | Cold Driven | A♭ Major | 8 | 4B | 90 BPM | ||
| Give 'Em Hell | Mitchell Marlow | D♭ Major | 10 | 3B | 113 BPM | ||
| Listen Ally | Behind the Fallen | F Minor | 9 | 4A | 85 BPM | ||
| Full Grit | Mitchell Marlow, Edward Wohl | B Minor | 8 | 10A | 108 BPM |