Rawat Dev, Tara Purohit's ' "Baitho Ghum Ghum" was released on its scheduled release date, January 1, 2014. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Rawat Dev,Tara Purohit's "Jaipur Wali" album is number 4 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Baitho Ghum Ghum's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Baitho Ghum Ghum by Rawat Dev, Tara Purohit to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| આવડને ભેળીયો ખોડલને ભેળીયો। Rashmita Rabari।Avad Ne Bheliyo Khodal Ne Bheliyo | Studio Krishna Bhanvad | F Major | 8 | 7B | 143 BPM | ||
| Aaj Shriji Maharaj Bhale Aviya Re | Baps Swaminarayan Sanstha | B♭ Minor | 5 | 3A | 160 BPM | ||
| Vadni Vadvai Hamir Bhandhyo Hichako | JK Timba | B♭ Minor | 9 | 3A | 145 BPM | ||
| Hu Tari Roni Tu Maro Raja | Kajal Maheriya | A♭ Major | 10 | 4B | 132 BPM | ||
| Durge Maiya We - Uttarakhandi | Khushi Joshi | B♭ Major | 10 | 6B | 144 BPM | ||
| Bewafa Ni Yaado Part 2 | Jignesh Barot | B♭ Minor | 9 | 3A | 102 BPM | ||
| Mada Na Rom | Vijay Suvada, Alkesh Kapadvanj | D♭ Major | 9 | 3B | 130 BPM | ||
| Mare Pivi Pade Nasani Golio | Dinesh Thakor Jakshan | D♭ Minor | 8 | 12A | 125 BPM | ||
| Maniraj Non Stop 01 - Original | Maniraj Barot, NA | D♭ Major | 6 | 3B | 138 BPM | ||
| Tota Mainajasi Ye Jodi | Shahin Shaikh, Dattaram | A♭ Major | 4 | 4B | 129 BPM | ||
| Tu Badlay To Tane Kasam | Vikram Thakor, Saloni Thakor | B♭ Minor | 8 | 3A | 110 BPM | ||
| Bhaibandhi Amari (Female Version) | Devalben Gadhvi | F Minor | 9 | 4A | 111 BPM | ||
| Jahan | Alkesh Kapadvanj, Ketan Rabari | B Minor | 6 | 10A | 134 BPM | ||
| Meldi Mari Kaya No Ghadnar | Rinku Bharwad | E Major | 7 | 12B | 204 BPM | ||
| Sava Man Sonu | Babu Ahir, Khushi Ahir | B♭ Minor | 9 | 3A | 77 BPM | ||
| Mhare Bagh Ko Mali Mharo Sanwaro Re | Mukesh Mahadeva | G Major | 9 | 9B | 77 BPM | ||
| Chhalde Aayi Rulai | Kiran Gadhvi | E♭ Major | 9 | 5B | 188 BPM | ||
| Sangharo ne Vare Chadya Jakhkh Dada | Babu Ahir | D♭ Minor | 9 | 12A | 83 BPM | ||
| Have Malvani Aasha Na Rakho | Kajal Maheriya | A Minor | 9 | 8A | 138 BPM | ||
| Vaikunth Vasi | gaman santhal | F Major | 9 | 7B | 94 BPM | ||
| Maa Pava Te Gadhathi | Kishore Manraja | E♭ Major | 5 | 5B | 50 BPM | ||
| Tame Ekvar Marvad Jajo | Kirtidan Gadhvi | B Minor | 9 | 10A | 187 BPM | ||
| Amu Kaka Bapana Poyra | Kamlesh Barot | F Minor | 4 | 4A | 113 BPM | ||
| Navala Maa Na Norta | Kirtidan Gadhvi | F♯ Major | 9 | 2B | 96 BPM | ||
| NANA HATA NE BHEGA RAMTA || RASHMITA RABARI | Studio Krishna Bhanvad | A Minor | 5 | 8A | 85 BPM |