On January 30, 2001, the song "Bajuda Ri Loom" was released by Tripti Shakya, Kumar Vishu, Shalini Shrivastav. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tripti Shakya, Shalini Shrivastav's "Ghoomar" album is number 2 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Bajuda Ri Loom is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bajuda Ri Loom by Tripti Shakya, Kumar Vishu, Shalini Shrivastav to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Radhike Le Chal | Devi Chitralekha | C Minor | 8 | 5A | 100 BPM | ||
| Bhala Kisi Ka Kar Na Sako Toh | Manoj Mishra | E Major | 9 | 12B | 87 BPM | ||
| Radhe Tere Charno Ki Dhool Jo Mil Jaye | Bal Krishan (Anoop Sharma) | F♯ Minor | 6 | 11A | 90 BPM | ||
| Choto Choto So Kishan Kanhaiya | Krupa Thakor | D♭ Major | 8 | 3B | 105 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM | ||
| Kar Do Kar Do Beda Paar Radhe Albeli Sarkar | Vipul, Shradey gaurav krishna goswami, Gaurav Krishan Goswami | F♯ Major | 6 | 2B | 100 BPM | ||
| Shree Durga Strot | Tripti Shakya | A Major | 3 | 11B | 118 BPM | ||
| Arey Dwarpalo | Manoj Mishra | A Major | 7 | 11B | 146 BPM | ||
| Mere Giniyo Na Apradh | Dhruv Sharma, Swarna Shri | A Major | 1 | 11B | 82 BPM | ||
| Bahein Pakadle Baba | Sanjay Mittal | C Minor | 8 | 5A | 166 BPM | ||
| Mera Koi Na Sahara Bin Tere | Rajkumar Vinayak | A♭ Major | 9 | 4B | 99 BPM | ||
| Muze Tune Daata Bahut Kuch Diya Hai | Mahesh Hiremath, Shubhangi Joshi | G Major | 4 | 9B | 96 BPM | ||
| Aarti - Jai Ganesh Deva | Tripti Shakya | G Major | 4 | 9B | 96 BPM | ||
| Kanha Barsane Mein Aa Jaiyo | Tripti Shakya | F♯ Major | 9 | 2B | 140 BPM | ||
| Shri Krishna Govind | Sonu Nigam, Alap Desai | A Major | 6 | 11B | 95 BPM | ||
| Hamra Farmais Ke Sadi | Sunil Chhaila Bihari, Tripti Shakya | F Major | 8 | 7B | 81 BPM | ||
| Yadi Nath Ka Naam Dayanidhi Hai | Devendra Pathak | F♯ Minor | 6 | 11A | 151 BPM | ||
| Shiv Hi Satya Hai Shiv Hi Sunder | Pamela Jain | F♯ Minor | 6 | 11A | 104 BPM | ||
| Dinanath Meri Baat Chani Koni Tere Sath | Sanju Sharma | A Major | 8 | 11B | 78 BPM | ||
| Ujjain Ke Mahakaal | Shahnaaz Akhtar | A♭ Major | 8 | 4B | 150 BPM | ||
| He Ri Sakhi Mangal Gaao Ri | Mishra Bandhu | D♭ Major | 9 | 3B | 101 BPM | ||
| Ave Rusya Na Kar Meri Jaan | Sadhvi Purnima | A♭ Minor | 5 | 1A | 96 BPM | ||
| Jinki Pratima Itni Sunder Wo Kitna Sunder Honga | Pamela Jain | F♯ Minor | 5 | 11A | 104 BPM | ||
| Ram Na Milenge Hanuman Ke Bina | Lakhbir Singh Lakkha | G Minor | 7 | 6A | 145 BPM | ||
| Kalo Ki Kaal Mahakali | Manish Agrawal | D♭ Major | 7 | 3B | 102 BPM |