"Catastrophe Anthem" by Clark had its release date on April 7, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 9 in Death Peak by Clark. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Catastrophe Anthem is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Catastrophe Anthem by Clark is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Low | Rival Consoles | A Major | 8 | 11B | 130 BPM | ||
| Glasspops | Mark Pritchard | A Minor | 3 | 8A | 122 BPM | ||
| White Glass | Loma | D♭ Major | 4 | 3B | 180 BPM | ||
| Fragments of Self | Max Cooper, Tom Hodge | D Major | 4 | 10B | 118 BPM | ||
| Please | Blanck Mass | F♯ Minor | 5 | 11A | 116 BPM | ||
| Bodies | WIFE | E Major | 5 | 12B | 155 BPM | ||
| Die Nächte sind erfüllt von Maskenfesten | Bersarin Quartett | E♭ Major | 3 | 5B | 82 BPM | ||
| Racquets | Indian Wells | A Minor | 5 | 8A | 114 BPM | ||
| Tottertot | Inwards | E Minor | 5 | 9A | 79 BPM | ||
| Just One Kiss | Biosphere | F♯ Major | 2 | 2B | 121 BPM | ||
| Who Goes There | The Field | D♭ Minor | 5 | 12A | 115 BPM | ||
| Panic | Forest Swords | D♭ Major | 4 | 3B | 130 BPM | ||
| Exhumed | Zola Jesus | C Major | 6 | 8B | 150 BPM | ||
| Híbakúsja | Ben Frost | B♭ Minor | 5 | 3A | 117 BPM | ||
| Draining the Blade | Reid Willis | E♭ Minor | 9 | 2A | 90 BPM | ||
| Glass Lake | Vessels | G Minor | 5 | 6A | 124 BPM | ||
| Revolution | Alex Banks | D♭ Major | 9 | 3B | 132 BPM | ||
| Waves Crashing on Distant Shores of Time | Clint Mansell | D Minor | 1 | 7A | 80 BPM | ||
| Cyclic | Max Cooper | B♭ Minor | 8 | 3A | 161 BPM | ||
| Intruder - Instrumental Version | Moderat | D♭ Minor | 7 | 12A | 93 BPM | ||
| Sea Island Murders | Loscil | A Minor | 2 | 8A | 132 BPM | ||
| Kagen Sound | Luke Abbott | F♯ Major | 5 | 2B | 94 BPM | ||
| Small | Clark, Nathaniel Timoney, Kieran Brunt | A Minor | 2 | 8A | 124 BPM | ||
| Hope | Max Cooper | A♭ Major | 3 | 4B | 120 BPM | ||
| Used To Like You | Ki:Theory | A♭ Minor | 9 | 1A | 96 BPM |