"Golden Gate" by Paul Haslinger had its release date on August 19, 2016. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Golden Gate's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Haslinger's "Halt and Catch Fire (Original Television Series Soundtrack)" album is number 1 out of 23. On top of that, United States appears to be the country where this track was created. In terms of popularity, Golden Gate is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Golden Gate by Paul Haslinger to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Weak-Handed | Daniel L.K. Caldwell | F Minor | 2 | 4A | 86 BPM | ||
| The Rupture | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | E Major | 8 | 12B | 120 BPM | ||
| Stream Flows | Thomas Barrandon | E Minor | 5 | 9A | 123 BPM | ||
| Rubber Head | Cliff Martinez | E Major | 1 | 12B | 67 BPM | ||
| Meeting Alton | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| Frank Gehry | Mark Isham | F Major | 0 | 7B | 66 BPM | ||
| Procedural | Trent Reznor and Atticus Ross | C Minor | 2 | 5A | 120 BPM | ||
| Possibilities Are Endless | Atticus Ross, Leopold Ross, Claudia Sarne | F Major | 2 | 7B | 68 BPM | ||
| Beth | Petri Alanko | B♭ Minor | 3 | 3A | 69 BPM | ||
| Monsters | Lovett | F Minor | 1 | 4A | 143 BPM | ||
| Shake It Off | Amil Hashimov, Ryan | F♯ Minor | 1 | 11A | 127 BPM | ||
| 1.3_5-da3m0nsneverstop.caf | Mac Quayle | C Minor | 4 | 5A | 120 BPM | ||
| Deckard Returns | Chrome Canyon | D♭ Minor | 6 | 12A | 90 BPM | ||
| Catoptrophobia | Konstantin Dellos | B Major | 2 | 1B | 166 BPM | ||
| The Shepherd | Jon Opstad, Paul Haslinger | E Major | 3 | 12B | 100 BPM | ||
| Green Fields | Evgeniy Petrov, Ferro | D♭ Major | 1 | 3B | 137 BPM | ||
| Mirages at Dawn | Knut Avenstroup Haugen, The Chamber Orchestra Of London | D Major | 1 | 10B | 100 BPM | ||
| Aningaaq | Steven Price | F Major | 0 | 7B | 59 BPM | ||
| Strangers and Autolabors | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| Beyond the Badlands | Silver Maple | F Major | 0 | 7B | 138 BPM | ||
| Neon Arterial - Upper City | Michael McCann | A Major | 4 | 11B | 128 BPM | ||
| Outpost VII | Aaron Marshall | F Major | 3 | 7B | 146 BPM | ||
| Can I Sit Next to You | Cliff Martinez | G Minor | 1 | 6A | 81 BPM | ||
| Dr. Koller | Sascha Dikiciyan | D♭ Major | 5 | 3B | 160 BPM | ||
| Kmc014 | Lovett | B Major | 4 | 1B | 96 BPM |