"Piano Quintet No. 2 "Transience Patterns": I. Prelude" by Jim Aitchison, Roderick Chadwick, Kreutzer Quartet had its release date on February 6, 2026. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Jim Aitchison: Piano Quintet No. 2 "Transience" and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Piano Quintet No. 2 "Transience Patterns": I. Prelude is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Quintet No. 2 "Transience Patterns": I. Prelude by Jim Aitchison, Roderick Chadwick, Kreutzer Quartet to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet in G Minor, Op. 10, L. 85: I. Animé et très décidé | Claude Debussy, Belcea Quartet | C Major | 2 | 8B | 85 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | D♭ Minor | 0 | 12A | 172 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: VI. Epilogue. Adagio | Dmitri Shostakovich, Cuarteto Casals | D♭ Minor | 0 | 12A | 172 BPM | ||
| String Quartet No. 6 in F Minor, Op. 80: III. Adagio | Felix Mendelssohn, Doric String Quartet | A♭ Major | 0 | 4B | 127 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | D♭ Minor | 0 | 12A | 172 BPM | ||
| The Exterminating Angel Symphony: I. Entrances | Thomas Adès, Minnesota Orchestra, Thomas Søndergård | C Major | 2 | 8B | 88 BPM | ||
| String Quartet No. 5, H. 268: I. Allegro ma non troppo | Bohuslav Martinů, Pavel Haas Quartet | F Major | 2 | 7B | 103 BPM | ||
| Lyric Suite: III. Allegro misterioso - Trio estatico | Alban Berg, Leonkoro Quartet | D♭ Minor | 0 | 12A | 172 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: I. Nacht | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | F Major | 0 | 7B | 83 BPM | ||
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | D♭ Minor | 0 | 12A | 172 BPM | ||
| Lyric Suite: V. Presto delirando - Tenebroso | Alban Berg, Leonkoro Quartet | D♭ Minor | 0 | 12A | 172 BPM | ||
| 12 Impressions: No. 4, Tyrolean (Schuhplattler) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 67 BPM | ||
| III. Allegro comodo — Allegro deciso | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | D♭ Minor | 0 | 12A | 172 BPM | ||
| Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo | Johannes Brahms, Bergen Philharmonic Orchestra, Edward Gardner | E Minor | 1 | 9A | 127 BPM | ||
| Violin Sonata, FP 119: Allegro con fuoco | Francis Poulenc, Graf Mourja, Alexandre Tharaud | B♭ Minor | 1 | 3A | 124 BPM | ||
| Britten: Quartettino: II. Poco adagio ma con moto | Benjamin Britten, Endellion String Quartet | D♭ Minor | 0 | 12A | 172 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | D♭ Minor | 0 | 12A | 172 BPM | ||
| Ciudadano Sombra: I. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Cello Concerto, C. 65: II. Allegro appassionato | William Walton, Sinfonia Of London, John Wilson, Jonathan Aasgaard | E♭ Minor | 1 | 2A | 109 BPM | ||
| 12 Impressions: No. 3, Legende | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 67 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: XIX. Gewitter und Sturm, Abstieg | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | B♭ Minor | 5 | 3A | 79 BPM | ||
| Mantra (1970): Bars 688-854 | Karlheinz Stockhausen, Mark Knoop, Roderick Chadwick, Newton Armstrong | G Major | 1 | 9B | 76 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM |