Swami Aadhar Chaitanya's ' "Bheem Vivah (Part-3)" was released on its scheduled release date, March 18, 2023. This song appears to be safe for all ages as it is not explicit. The song is number 3 out of 3 in Bheem Vivah by Swami Aadhar Chaitanya. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Bheem Vivah (Part-3) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bheem Vivah (Part-3) by Swami Aadhar Chaitanya is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mane Tan Man Rang Liyo Hey | Narendra Kaushik | A♭ Minor | 9 | 1A | 134 BPM | ||
| Le Le Re Khawar Bansi Wale | Hariram Gujjar | B Minor | 9 | 10A | 152 BPM | ||
| Maut Teri Aayi Kichak Aaj | Brijesh Kumar Shastri | B♭ Major | 7 | 6B | 140 BPM | ||
| Mata Kali ki Paidi | Jai Goga Jaharveer Ji | E Minor | 6 | 9A | 174 BPM | ||
| Chhane Chhane Badle Toharo Mijaj Rajau | Ruchi Yadav Birha | A♭ Major | 9 | 4B | 82 BPM | ||
| Mehndipur Ke Mandir | Narender Kaushik | F Major | 8 | 7B | 131 BPM | ||
| Saaj Kavdyacha Galyamadhi Saajto | Sakharabai Tekale | E♭ Major | 7 | 5B | 99 BPM | ||
| Padmawat Gore | Karampal Sharma | E Minor | 4 | 9A | 129 BPM | ||
| Keniya Se Aaveli Kaari Re Badariya | Madan Rai | G Major | 5 | 9B | 119 BPM | ||
| Mere Anshu Pochkar Mujhe Gale Lagaiyega | Poonam Shastri Ji | D Major | 8 | 10B | 107 BPM | ||
| Indrapast Ke Upar Part 10 | Swami Aadhar Chaitanya | D♭ Minor | 5 | 12A | 128 BPM | ||
| Chitrakoot Mein Divari Deepdan Mahima Bundeli Bhajan | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 139 BPM | ||
| Kalka Maiya Aake Mere Dukh Mita Jao | Deshpal Milakh | A♭ Major | 10 | 4B | 133 BPM | ||
| Jahar Baba Aawego | Ramavtar Sharma | F♯ Major | 5 | 2B | 125 BPM | ||
| Dudh Te Dodhiya | Balkar Ankhila, Manjinder Gulshan | B♭ Major | 8 | 6B | 99 BPM | ||
| Kis Karan Se Preetam Pyare | Brajesh Shastri | C Major | 8 | 8B | 95 BPM | ||
| Kya Batau Jamane Ki Halat | Brijesh Shastri | D♭ Major | 5 | 3B | 103 BPM | ||
| Prakat Kudhe Se Ho Gaye Kudeshwar Bhagwan Bundeli | Chandra Bhushan Pathak | A♭ Major | 10 | 4B | 140 BPM | ||
| Khema Baba Bhajan | Bhoma Ram Panwar | A Major | 9 | 11B | 84 BPM | ||
| Khud Ghat Ghat Ke Wasi Ho Tum Ke Samjhana Hoga | Koshinder Khadana | E Major | 6 | 12B | 66 BPM | ||
| Dulhan Bani Ke Chali Sasural | Poonam Shastri Ji | A♭ Minor | 9 | 1A | 107 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Aadurar | Karumari Karna | A♭ Minor | 8 | 1A | 86 BPM | ||
| Fagun Mein Khada Kaive Bani | Vijay Lal Yadav, Anita Raj, Vishal Munna | F♯ Major | 9 | 2B | 87 BPM | ||
| Maiya Kunti Part 6 | Swami Aadhar Chaitanya | A Major | 4 | 11B | 137 BPM |