Indresh Upadhyay's 'Brij Ke Nandlala' had a release date set for January 13, 2025. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Brij Ke Nandlala and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Brij Ke Nandlala is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brij Ke Nandlala by Indresh Upadhyay is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naam Tumhara Taranhara | Indresh Upadhyay | D Minor | 6 | 7A | 124 BPM | ||
| Utho Utho Bhaktjano | Anjali Jain | F Major | 3 | 7B | 172 BPM | ||
| Ganpati Sankat Nashan Stotra | Pradeep Bhinde | D Major | 3 | 10B | 85 BPM | ||
| Roop Tera Mastana - Instrumental | Rohan | E Major | 8 | 12B | 140 BPM | ||
| Param Pavitram - With Commentary | Sudhir Dalvi | A♭ Minor | 2 | 1A | 99 BPM | ||
| Runu Zunu Re Bhramara | Ramdas Kamat | B Major | 7 | 1B | 112 BPM | ||
| Bhagwati naina kholu he | Maithili Thakur | D♭ Major | 6 | 3B | 148 BPM | ||
| Veena Instrumental | Shri Narayan Mani | B♭ Major | 3 | 6B | 148 BPM | ||
| Om Uma Maheshwaraya Namah | Bhakti Setu, Abhisshhek Shankar | D♭ Minor | 5 | 12A | 160 BPM | ||
| Yashoda Maiya De De Badhai | Jai Jai Bhajans, Indresh Upadhyay | E♭ Major | 5 | 5B | 104 BPM | ||
| Manglam Bhagwan Vishnu | Hari Nath Jha | F♯ Major | 2 | 2B | 47 BPM | ||
| Charnan ki Raj Paun Kishori | Pundrik Goswami, Devesh krishan | D♭ Major | 3 | 3B | 113 BPM | ||
| Sajan More Ghar Aayo | DEW, Sanchari Nag | F♯ Major | 5 | 2B | 104 BPM | ||
| Jagmag Jagmag Jyot Jali hai (Ramji Ki Aarti) | Sarita Joshi | E♭ Major | 5 | 5B | 106 BPM | ||
| Rasiya Ko Naar Banao Ri | Jai Jai Bhajans, Indresh Upadhyay | F Major | 4 | 7B | 119 BPM | ||
| Saraswati Stuti | Vallari Ambekar, Inner Splendor, Vedika Godbole | B♭ Major | 3 | 6B | 106 BPM | ||
| ham tum se mohabbat kar ke | Ramdevi Masoom, Bhagat Raja, Pooja Mashoom | A Major | 4 | 11B | 78 BPM | ||
| Aaye raghukul beer | Maithili Thakur | E♭ Major | 5 | 5B | 167 BPM | ||
| Raag Bhairavi - Dadra - Rab Tohe Bhoole Nahi Bane | Shubha Joshi | A Major | 5 | 11B | 139 BPM | ||
| Prathana Mantra | Dr. Shri Balaji Tambe | C Major | 2 | 8B | 92 BPM | ||
| Garje Ghata Ghan - Raag Megh - Rashid Khan - Jhaptaal | Udtaad Rashid Khan, Traditional, Samar Saha, Murad Ali, Samir Jana | E Minor | 7 | 9A | 118 BPM | ||
| Rudrashtakam Strotram | Anil Tripathi | E♭ Major | 1 | 5B | 77 BPM | ||
| Bhava Vinodini Maa | Connecting Lives | A Major | 9 | 11B | 150 BPM | ||
| The Bhakti Bounce | Mayapuris, MayapurTV Music | B Major | 10 | 1B | 107 BPM | ||
| Tu hai sakhi bad bhag badi | Indresh Upadhyay | F Major | 4 | 7B | 120 BPM |