Manabendra Mukherjee's ' "Ma Go Ami Mandomati" was released on its scheduled release date, December 1, 1968. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 20 in Chayanika by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ma Go Ami Mandomati's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ma Go Ami Mandomati by Manabendra Mukherjee is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rimjhim Rimjhim Jhim Ghana Deya | Manabendra Mukherjee | F♯ Major | 3 | 2B | 88 BPM | ||
| Notun Patar Nupur Baje | Firoza Begum | B♭ Major | 4 | 6B | 183 BPM | ||
| Chena Chena Mukhta Tomar | Subir Sen | B Minor | 6 | 10A | 125 BPM | ||
| Daareya Achho Tumi | Kumar Sanu | C Major | 3 | 8B | 82 BPM | ||
| Drishya Dekhi Anya | Anup Ghoshal | D♭ Major | 2 | 3B | 70 BPM | ||
| Amar Balar Kichhu Chhilo Na | Haimanti Sukla, Manna Dey | B Major | 4 | 1B | 79 BPM | ||
| Natun Purush Natun Purush | Bhupen Hazarika, Jayanta Hazarika | A Major | 3 | 11B | 146 BPM | ||
| Byarthapraner Abarjana | Utpala Sen, Manabendra Mukherjee | D Minor | 2 | 7A | 136 BPM | ||
| Katha Diye Ele Na | Asha Bhosle, R. D. Burman | E Major | 5 | 12B | 141 BPM | ||
| Alga Koro Go Khopar Badhon | Ramanuj Dasgupta | D♭ Major | 6 | 3B | 169 BPM | ||
| Anondo Loke | Rezwana Choudhury Bannya | B Major | 3 | 1B | 101 BPM | ||
| Bare Bare Ke Jeno Dake | Manabendra Mukherjee | C Major | 4 | 8B | 133 BPM | ||
| Baro Asha Kore Esechhi Go | Debabrata Biswas | B Minor | 3 | 10A | 64 BPM | ||
| Oi Mousumi Mon Shudhu Rang | Manabendra Mukherjee | G Major | 4 | 9B | 122 BPM | ||
| Champakali Go Kato Name - Mono | Tarun Banerjee, Manabendra Mukherjee | A♭ Major | 3 | 4B | 128 BPM | ||
| Shashan To Bhalobasis | Dhananjay Bhattacharya | C Major | 6 | 8B | 113 BPM | ||
| Pehle Bhi Majbooriyan Thi | Chandan Dass | A Major | 5 | 11B | 105 BPM | ||
| Ami Tai Abhiman Kori | Dhananjay Bhattacharya | G Major | 5 | 9B | 80 BPM | ||
| Tomar Samadhi Phule Phule Dhaka - Antaral | Salil Mitra | F Major | 2 | 7B | 121 BPM | ||
| Zakhm-E-Dil Ke Agar Siye Hote | Ghulam Ali | F♯ Minor | 4 | 11A | 98 BPM | ||
| Aaj Bikeler Dake Tomar Chithi | Banasree Sengupta | E♭ Minor | 3 | 2A | 122 BPM | ||
| Badol Diner Prothom Kodom Ful | Rezwana Choudhury Bannya | A♭ Major | 3 | 4B | 115 BPM | ||
| Ami Kan Pete Roi | Srikanta Acharya | B Major | 3 | 1B | 154 BPM | ||
| Antare Maa Thakna | Anuradha Paudwal, Indrajeet | F Minor | 4 | 4A | 152 BPM | ||
| Ei Lobhinu Sango Tabo | Srikanta Acharya | F♯ Major | 3 | 2B | 122 BPM |