Joni Mitchell's ' "Urge for Going" was released on its scheduled release date, October 29, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joni Mitchell's "Hits" album is number 1 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Urge for Going is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Urge for Going by Joni Mitchell to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Proserpina | Martha Wainwright | B Major | 2 | 1B | 65 BPM | ||
| Waterfall | Cris Williamson | E Major | 2 | 12B | 82 BPM | ||
| Black Muddy Water | Norma Waterson | C Major | 3 | 8B | 80 BPM | ||
| Now Westlin Winds | Dick Gaughan | E Major | 2 | 12B | 128 BPM | ||
| Knight Moves | Suzanne Vega | B Minor | 2 | 10A | 150 BPM | ||
| Katie Cruel | Karen Dalton | B♭ Major | 3 | 6B | 118 BPM | ||
| Right, Wrong Or Ready | Karen Dalton | D Major | 0 | 10B | 124 BPM | ||
| God Loves a Drunk | Norma Waterson | D Major | 3 | 10B | 111 BPM | ||
| Sweet Substitute | Karen Dalton | B♭ Major | 1 | 6B | 81 BPM | ||
| Linden Arden Stole the Highlights | Van Morrison | D Major | 2 | 10B | 114 BPM | ||
| Chinese Cafe/Unchained Melody | Joni Mitchell | E Minor | 3 | 9A | 124 BPM | ||
| Nobody but You | Lou Reed, John Cale | A Major | 3 | 11B | 111 BPM | ||
| I Used to Be a King | Graham Nash | F Major | 5 | 7B | 113 BPM | ||
| Jesus Was a Cross Maker | Judee Sill | C Major | 3 | 8B | 101 BPM | ||
| Corrine Corrina | Marianne Faithfull | A Major | 2 | 11B | 101 BPM | ||
| Beneath the Southern Cross | Patti Smith | D Major | 5 | 10B | 99 BPM | ||
| (Looking For) The Heart Of Saturday Night | Tom Waits | D Major | 2 | 10B | 94 BPM | ||
| Songs to Aging Children Come | Joni Mitchell | F♯ Major | 2 | 2B | 114 BPM | ||
| The Troubles | The Roches | E Major | 0 | 12B | 118 BPM | ||
| Powderfinger | Cowboy Junkies | G Major | 2 | 9B | 176 BPM | ||
| All This Remains | Bert Jansch, Hope Sandoval | F♯ Minor | 3 | 11A | 200 BPM | ||
| Blue Moon Revisited (Song For Elvis) | Cowboy Junkies | C Major | 1 | 8B | 96 BPM | ||
| Until It's Time For You To Go | Buffy Sainte-Marie | A♭ Major | 1 | 4B | 126 BPM | ||
| Reason to Believe | Karen Dalton | G Major | 1 | 9B | 134 BPM | ||
| Trouble | Yusuf / Cat Stevens | F♯ Major | 2 | 2B | 140 BPM |