Something Corporate's 'The Runaway' had a release date set for January 1, 2003. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "North". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, The Runaway is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Runaway by Something Corporate having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Curse of Curves | Cute Is What We Aim For | G Minor | 9 | 6A | 93 BPM | ||
| Hotel Roosevelt | Augustana | G Major | 7 | 9B | 105 BPM | ||
| Dance Halls Turn To Ghost Towns | The Audition | B♭ Minor | 9 | 3A | 185 BPM | ||
| Suckerpunch | Envy On The Coast | A Minor | 9 | 8A | 177 BPM | ||
| One-Eighty By Summer | Taking Back Sunday | G Major | 9 | 9B | 152 BPM | ||
| What Are You Doing, Man? That's Weird! | Valencia | A Minor | 10 | 8A | 112 BPM | ||
| We're Nothing Without You | The Juliana Theory | E Minor | 6 | 9A | 77 BPM | ||
| Second Best | Home Grown | B♭ Major | 10 | 6B | 146 BPM | ||
| The Best Of Me | The Starting Line | E Major | 8 | 12B | 107 BPM | ||
| Decisions, Decisions | The Starting Line | G Major | 9 | 9B | 179 BPM | ||
| Lawyers | The Audition | D♭ Major | 8 | 3B | 90 BPM | ||
| All We Ever Needed | The Early November | F♯ Major | 5 | 2B | 91 BPM | ||
| I Wrote This Song | Making April | G Minor | 9 | 6A | 160 BPM | ||
| Burn This City | Cartel | C Minor | 9 | 5A | 152 BPM | ||
| If I Could Make You Do Things | Two Tongues | F♯ Major | 8 | 2B | 133 BPM | ||
| Reckless Abandonment | The Spill Canvas | E♭ Minor | 10 | 2A | 181 BPM | ||
| Home Is Where the Heart Is | A Change of Pace | C Major | 9 | 8B | 168 BPM | ||
| Himerus and Eros | The Spill Canvas | F♯ Major | 8 | 2B | 150 BPM | ||
| Blue and Yellow | The Used | D Minor | 9 | 7A | 115 BPM | ||
| The First Single (You Know Me) | The Format | A Major | 9 | 11B | 128 BPM | ||
| My Beautiful Rescue (Renovated) | This Providence | B Major | 9 | 1B | 125 BPM | ||
| Island | The Starting Line | B Major | 9 | 1B | 115 BPM | ||
| Five Days And Counting | Spitalfield | B Minor | 8 | 10A | 144 BPM | ||
| Masterpiece | Bayside | A♭ Major | 10 | 4B | 100 BPM | ||
| Somebody Else's Arms | Armor For Sleep | G Major | 10 | 9B | 155 BPM |