Urban Reverie's 'Asphalt Echoes' had a release date set for December 27, 2024. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 8 in Concrete Daydreams by Urban Reverie. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Asphalt Echoes is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Asphalt Echoes by Urban Reverie is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Souk Mansion | Blue Rectangles | C Major | 1 | 8B | 71 BPM | ||
| Calm and Collected | Pierre Reynard | B♭ Minor | 1 | 3A | 94 BPM | ||
| Street of Saints | Grace Carey | F Minor | 2 | 4A | 119 BPM | ||
| Hold Me Like It's The Last Time | Pearl Street Trio | E♭ Major | 1 | 5B | 90 BPM | ||
| Sorry | Bill Anschell | C Minor | 1 | 5A | 124 BPM | ||
| Silent Fall | Rhythm & Reeds | A♭ Major | 3 | 4B | 80 BPM | ||
| When We Fall In Love | Baxter Williams | G Minor | 1 | 6A | 114 BPM | ||
| Brought in the Sunshine | Teres, Tomohiko Kato | E♭ Major | 0 | 5B | 198 BPM | ||
| Devil May Care | Douglas Ruby Trio | G Minor | 2 | 6A | 108 BPM | ||
| Wine by the Ocean | James Jackson Jazz Trio | G Major | 1 | 9B | 85 BPM | ||
| Gentle Awakening | The Harmonic Collective | F Major | 1 | 7B | 70 BPM | ||
| A Glass of Wine in the Park | Brandon's Three | G Minor | 1 | 6A | 118 BPM | ||
| True to your heart (From "Mulan”) | Noir Collective | A♭ Major | 2 | 4B | 73 BPM | ||
| What Did You Dream About Yesterday? | Tom Media | C Minor | 2 | 5A | 119 BPM | ||
| Too Fragile | Evelyn Blue | F Minor | 1 | 4A | 100 BPM | ||
| In the Stillness | The Harmonic Collective | D Major | 2 | 10B | 69 BPM | ||
| Unsweetened | CORNER POT, JS CROSSING | E Minor | 4 | 9A | 102 BPM | ||
| It's Only A Paper Moon | Cecil Andrews | G Major | 2 | 9B | 122 BPM | ||
| Facing Masks, Pt. X | Muzouet, Werset | C Major | 2 | 8B | 107 BPM | ||
| Street Walk | The New York Jazz Trio | G Minor | 2 | 6A | 116 BPM | ||
| Introspective | Joe Wilson Trio | A Major | 3 | 11B | 58 BPM | ||
| Drakes Head | Café Carron Trio | C Minor | 2 | 5A | 130 BPM | ||
| Half Me, Half You | Brilliant Supervision | A♭ Major | 2 | 4B | 110 BPM | ||
| Bronx Beat | Ava Rena | B Minor | 2 | 10A | 77 BPM | ||
| Soft Footsteps | Bluebird Ensemble | C Major | 1 | 8B | 119 BPM |