Will Henry Monk, Charles Smart, Kingsway Symphony Orchestra, Kingsway Symphony Chorus's 'Christ The Lord Is Risen Today' had a release date set for January 1, 1996. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 23 in Be Still My Soul - The Ultimate Hymns Collection by Choir of King's College, Cambridge, Stephen Cleobury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Christ The Lord Is Risen Today is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christ The Lord Is Risen Today by Will Henry Monk, Charles Smart, Kingsway Symphony Orchestra, Kingsway Symphony Chorus is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bring Flowers of the Rarest | Father Sydney MacEwan, Charles Smart | B♭ Major | 1 | 6B | 172 BPM | ||
| Breathe on Me, Breath of God | The York College Concert Choir | F Major | 1 | 7B | 144 BPM | ||
| Abide with Me (Arr. for Choir by Moses Hogan) - Live | William Henry Monk, Hebron High School A Cappella Choir, Alexander Carr | F♯ Major | 1 | 2B | 183 BPM | ||
| Abide with Me (Arr. I. Tracey) | William Henry Monk, Liverpool Cathedral Choir, Ian Tracey, David Poulter | A Major | 0 | 11B | 81 BPM | ||
| Lord Jesus Christ | The Jubilate Singers | G Major | 2 | 9B | 77 BPM | ||
| I Waited for the Lord (Psalm 40a) | Crown & Covenant | D Minor | 2 | 7A | 132 BPM | ||
| A Hymn of Glory Let Us Sing SHZ 121 | Laestadian Lutheran Church | G Major | 4 | 9B | 117 BPM | ||
| Abide With Me | William Henry Monk | E♭ Major | 1 | 5B | 109 BPM | ||
| Shine Jesus, Shine (Arr. C. Harrison for Choir, Organ & Brass Quintet) | Graham Kendrick, Lincoln Minster School Chamber Choir, Charles Harrison, Gordon Truman, Avalon Summerfield, Stuart Bower, Elliot Crouch, Hugh Bourn, Aric Prentice | A Major | 2 | 11B | 66 BPM | ||
| All Things Bright and Beautiful (arr. Richard Wilberforce) | William Henry Monk, Richard Wilberforce, Christopher Stokes, Gregory Batsleer | A Major | 1 | 11B | 126 BPM | ||
| Carmen, Act II: Bull Fight and Toreador's Song (Orch. Camarata) | Georges Bizet, Kingsway Symphony Orchestra, Camarata | A Major | 3 | 11B | 165 BPM | ||
| Psalm 130 to 'Martyrdom' (Acapella) | The Psalms Sung | G Major | 2 | 9B | 94 BPM | ||
| Wesley: And Can It Be That I Should Gain (Sagina) - 1. and Can It Be That I Should Gain | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | E♭ Major | 3 | 5B | 81 BPM | ||
| At the Name of Jesus | Lee Jacobs, William Henry Monk | E♭ Major | 3 | 5B | 84 BPM | ||
| Forty Days And Forty Nights | Martin Herbst, Wilfred Brown, Hervey Allan, The McCarthy Singers, Geoffrey Morgan, Charles Smart | G Minor | 1 | 6A | 76 BPM | ||
| In Heavenly Love Abiding | The Jubilate Singers | G Major | 2 | 9B | 77 BPM | ||
| Be Still, My Soul | The Choir of Trinity College, Melbourne, Michael Leighton Jones | E♭ Major | 1 | 5B | 80 BPM | ||
| St. George's Windsor "Come, Ye Thankful People, Come" | George Job Elvey, Choir of Girton College, Cambridge, William Ings, Samuel Hudson, Martin Ennis | F Major | 1 | 7B | 91 BPM | ||
| O Love, That Wilt Not Let Me Go | The Celebration Choir | A♭ Major | 2 | 4B | 69 BPM | ||
| Hark, I Hear the Harps Eternal | Atlanta Master Chorale, Eric Nelson | C Major | 1 | 8B | 128 BPM | ||
| All Saints "Who, Are These, Like Stars Appearing" | William Henry Monk, Wakefield Cathedral Choir, Louise Marsh, Jonathan Bielby | C Major | 2 | 8B | 71 BPM | ||
| Jerusalem the Golden | Alexander Ewing, The Choir of Sidney Sussex College, Cambridge, Jamal Sutton, David Skinner | C Major | 1 | 8B | 128 BPM | ||
| When I Survey The Wondrous Cross | The Jubilate Singers | G Major | 2 | 9B | 77 BPM | ||
| Praise, My Soul, The King of Heaven | The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | D Major | 2 | 10B | 83 BPM | ||
| What Wondrous Love Is This/Surely He Hath Borne Our Griefs/And Can It Be? (Medley) | Billy Ray Hearn, Tom Fettke | A♭ Major | 2 | 4B | 98 BPM |