"When I Am Laid In Earth (Dido's Lament)" by Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers had its release date on January 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 16 in Eternal Light by Elin Manahan Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. When I Am Laid In Earth (Dido's Lament) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of When I Am Laid In Earth (Dido's Lament) by Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
| Symphonia et Ordo virtutum: O Euchari, in leta via | Hildegard von Bingen, Elin Manahan Thomas | D♭ Minor | 0 | 12A | 82 BPM | ||
| Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum | Giovanni Battista Pergolesi, Diego Fasolis, I Barocchisti, Julia Lezhneva | E Minor | 1 | 9A | 64 BPM | ||
| Dido and Aeneas / Act 3: "But Death alas!".."When I am laid in earth" | Henry Purcell, Dame Janet Baker, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis | G Minor | 1 | 6A | 80 BPM | ||
| Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
| The Indian Queen, Z. 630 : Act III - Solo (Ismeron): You Twice Ten Hundred Deities | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | F♯ Minor | 1 | 11A | 96 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Michel Plasson - Orchestre Du Capitole De Toulouse - Jose Antonio Sainz - Natalie Dessay - Malcolm Stewart - Choeur D'Enfants Midi Pyrenees - Orfeon Donostiarra, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 141 BPM | ||
| Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
| Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | B♭ Major | 1 | 6B | 82 BPM | ||
| Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
| Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei | Johann Sebastian Bach, Michael Chance, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 167 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Purcell: Music for a while, Z 583/2 | Philippe Jaroussky | F♯ Minor | 0 | 11A | 90 BPM | ||
| Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
| Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" | Simone Kermes | F Minor | 1 | 4A | 72 BPM | ||
| Where the Bee Sucks | Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 70 BPM | ||
| Venezia - Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Thibault Cauvin, Lea Desandre | D♭ Minor | 1 | 12A | 83 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): I. Miserere mei Deus | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Major | 2 | 10B | 105 BPM | ||
| King Arthur, Z. 628: Cold song - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | D♭ Major | 1 | 3B | 88 BPM | ||
| Stabat Mater, P. 77: X. Fac ut portem | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 0 | 6A | 66 BPM | ||
| Folle è ben che si crede | Tarquinio Merula, Simone Kermes, La Magnifica Comunità, Enrico Casazza | C Major | 0 | 8B | 93 BPM | ||
| L’heure Exquise | Reynaldo Hahn, Encarnación Vázquez, Jorge Federico Osorio | D Major | 0 | 10B | 150 BPM | ||
| Magnificat in D Major, BWV 243: II. Et exultavit spiritus meus | Johann Sebastian Bach, La Chapelle Royale, Philippe Herreweghe, Agnès Mellon | E♭ Major | 3 | 5B | 101 BPM | ||
| Nisi Dominus, RV 608: I. Nisi Dominus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | G Minor | 2 | 6A | 117 BPM |