Misfits's 'I Turned Into A Martian - Sessions Version/Master Sound Productions 1980' had a release date set for February 27, 1996. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 105 in the song's album "The Misfits Box Set". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. In terms of popularity, I Turned Into A Martian - Sessions Version/Master Sound Productions 1980 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I Turned Into A Martian - Sessions Version/Master Sound Productions 1980 by Misfits having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Met Her At The Rat | The Queers | B Minor | 7 | 10A | 103 BPM | ||
| Nuclear Funeral | D.I. | G Major | 9 | 9B | 110 BPM | ||
| Methodist Coloring Book | The Dead Milkmen | E Major | 7 | 12B | 156 BPM | ||
| 5 Finger Discount | Choking Victim | A♭ Major | 10 | 4B | 109 BPM | ||
| Punk's Not Dead | The Exploited | D♭ Minor | 10 | 12A | 79 BPM | ||
| End of Days | Discharge | A Minor | 10 | 8A | 177 BPM | ||
| Filler | Minor Threat | D♭ Minor | 10 | 12A | 185 BPM | ||
| Astro Zombies - Reel Platinum 1986 | Misfits, Glenn Danzig | C Major | 10 | 8B | 111 BPM | ||
| I'm Not a Loser | Descendents | E Minor | 7 | 9A | 54 BPM | ||
| So What | Crass | A Major | 6 | 11B | 170 BPM | ||
| Explode - Remastered | Smut Peddlers | A Major | 7 | 11B | 130 BPM | ||
| Degenerated | Reagan Youth | G Major | 9 | 9B | 203 BPM | ||
| How Do | T.S.O.L. | B Minor | 9 | 10A | 145 BPM | ||
| Dope Fiend - Remastered | Smut Peddlers | B Minor | 9 | 10A | 113 BPM | ||
| Iridescent White Light | Graves, Michale Graves | A♭ Major | 8 | 4B | 136 BPM | ||
| She’s Getting Sick Of Me | Nobodys | G Major | 9 | 9B | 108 BPM | ||
| Haizman's Brain is Calling | Angry Samoans | E Minor | 9 | 9A | 123 BPM | ||
| The Other Newest One | Germs | D♭ Major | 9 | 3B | 137 BPM | ||
| Pills | New York Dolls | A Major | 9 | 11B | 143 BPM | ||
| Race Riot | Necros | E Major | 7 | 12B | 99 BPM | ||
| Nothing - From Tied Down LP 1983 | Negative Approach | E Major | 9 | 12B | 93 BPM | ||
| Jaded - 2007 Remaster | Operation Ivy | A♭ Major | 10 | 4B | 172 BPM | ||
| Brave New World | Reagan Youth | A Major | 7 | 11B | 134 BPM | ||
| Knowledge - 2007 Remaster | Operation Ivy | F Major | 9 | 7B | 92 BPM | ||
| I Need Lunch | Dead Boys | A Major | 8 | 11B | 128 BPM |