鶴田六郎's '瀬戸の花嫁' had a release date set for April 21, 1995. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "SP盤復刻による懐かしのメロディ 鶴田六郎/港の恋唄". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Japan. Based on our statistics, 瀬戸の花嫁's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 瀬戸の花嫁 by 鶴田六郎 having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| お吉物語 | 天津羽衣 | F Major | 2 | 7B | 140 BPM | ||
| 雪あかりの町 | 小柳ルミ子 | G Minor | 5 | 6A | 178 BPM | ||
| お別れ公衆電話 | Keiko Matsuyama | B♭ Minor | 3 | 3A | 115 BPM | ||
| 別れても | Ken Kuroki | B Minor | 2 | 10A | 90 BPM | ||
| 大阪夜曲 | Chuji Mikado | A Major | 3 | 11B | 81 BPM | ||
| 悲しい時には | Chiharu Matsuyama | A Major | 3 | 11B | 91 BPM | ||
| 女の坂道 | Yuko Oka | C Minor | 5 | 5A | 146 BPM | ||
| 舞妓はん | Yukio Hashi | C Minor | 4 | 5A | 107 BPM | ||
| ふたりで一つの人生を | 山本譲二 | A Major | 6 | 11B | 76 BPM | ||
| 夢追い列車 | 小柳ルミ子 | A Minor | 7 | 8A | 155 BPM | ||
| 函館みなとから… | Machiko Kitano | A♭ Minor | 6 | 1A | 138 BPM | ||
| 夏は来ぬ | Fujiyama Ichiro | B Major | 2 | 1B | 181 BPM | ||
| Kogen no eki yo sayonara | Obata Minoru, Shunichi Sasaki, Takao Saeki | B Minor | 3 | 10A | 94 BPM | ||
| 悲恋 | Kiyoshi Maekawa | B Major | 6 | 1B | 122 BPM | ||
| 春嵐(はるあらし) | Kazusa Wakayama | A♭ Minor | 6 | 1A | 82 BPM | ||
| 雪の朝 (2016 Remaster) | Grape | A Minor | 6 | 8A | 140 BPM | ||
| 哀愁の駅 | Keiko Matsuyama | F Minor | 3 | 4A | 154 BPM | ||
| 恋のなごり | Tomoko Ogawa | C Minor | 6 | 5A | 122 BPM | ||
| つゆのあとさき | Nobue Matsubara | A♭ Major | 8 | 4B | 80 BPM | ||
| 北国 | Yutaka Yamakawa | E♭ Minor | 4 | 2A | 88 BPM | ||
| 啼くな小鳩よ | 岡晴夫 | A Minor | 4 | 8A | 95 BPM | ||
| いちばん素敵な港町 | Junko Akimoto | E Minor | 6 | 9A | 79 BPM | ||
| 酔うほどに | Kumi Iwamoto | A Minor | 6 | 8A | 142 BPM | ||
| ぬれて横浜 | ロス・プリモス | A Minor | 5 | 8A | 101 BPM | ||
| 私は一人片隅で ET MOI DANS MON COIN | Yukari Kaneko | E Minor | 2 | 9A | 109 BPM |