"サルビア" by Hiroko Kouda had its release date on September 20, 2023. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 花のまち 〜日本のうたIII〜, so we believe that "サルビア" is a single. Based on our statistics, サルビア's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of サルビア by Hiroko Kouda is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 歌劇《ノルマ》 〜清らかな女神 | Vincenzo Bellini, Hiroko Kouda, Filharmonie Brno, ラルフ・ワイケルト | E Major | 1 | 12B | 130 BPM | ||
| 鉄道唱歌 22番~38番 - 合唱版 | スーツ, 宇都宮直高, 吉武大地, Tck., 飯田俊明 | C Major | 6 | 8B | 126 BPM | ||
| キセキ(混声三部) | JBCシンガーズ | G Major | 3 | 9B | 88 BPM | ||
| ロマンス 第2番 ヘ長調 | ルートヴィヒ・ヴァン・ベートーヴェン, 井上道義, 新日本フィルハーモニー交響楽団, ジャン=ジャック・カントロフ | F Major | 2 | 7B | 96 BPM | ||
| いのちの理由 | Seiko Niizuma | A Major | 2 | 11B | 77 BPM | ||
| 愛と死をみつめて | 青山和子 | B Minor | 2 | 10A | 95 BPM | ||
| あしたのうた | Hiroko Kouda | B♭ Major | 2 | 6B | 183 BPM | ||
| 河口 | 丸山豊, Ikuma Dan, 東京混声合唱団, 大谷研二, 斎木ユリ | E Major | 1 | 12B | 74 BPM | ||
| 朧月夜 | Hiroko Kouda | E♭ Major | 1 | 5B | 149 BPM | ||
| 花は咲く | 坂下忠弘, 江澤隆行 | F♯ Minor | 2 | 11A | 91 BPM | ||
| 旅愁 | ダーク・ダックス | D Major | 2 | 10B | 94 BPM | ||
| 青春の影 - 混声4部 カバー | 平松混声合唱団 | E♭ Major | 2 | 5B | 108 BPM | ||
| 誰に告げようか・・・ | Kami Fusen | B Minor | 6 | 10A | 95 BPM | ||
| 歌劇「魔笛」K.620 第二幕:夜の女王のアリア | Wolfgang Amadeus Mozart, 佐藤美枝子, ジェイムズ・ロックハート, フィルハーモニア管弦楽団 | F Major | 1 | 7B | 71 BPM | ||
| トロイカ | 東京少年少女合唱隊 | B♭ Minor | 2 | 3A | 147 BPM | ||
| 歌劇《夢遊病の女》 〜ああ! 信じられない | Vincenzo Bellini, Hiroko Kouda, Filharmonie Brno, ラルフ・ワイケルト | G Major | 2 | 9B | 82 BPM | ||
| 旅立ちの日に | 八千代少年少女合唱団, 長岡利香子, 鈴木綾子 | C Major | 1 | 8B | 88 BPM | ||
| 夢やぶれて(「レ・ミゼラブル」より) | Seiko Niizuma | A Major | 7 | 11B | 100 BPM | ||
| 遠くへ行きたい - 1992 Re-Recording | Duke Aces | C Minor | 3 | 5A | 79 BPM | ||
| みかんの花咲く丘 | Hiroko Kouda | D♭ Major | 1 | 3B | 164 BPM | ||
| 悲翼 | Naoki Sato, Hiroko Kouda | A Major | 2 | 11B | 82 BPM | ||
| カーロ・ミオ・ベン (いとしい人よ) | Tommaso Giordani, Hiroko Kouda | F Major | 2 | 7B | 96 BPM | ||
| とんがり帽子 〜NHKラジオ「鐘の鳴る丘」主題歌〜 | 川田正子, コロムビアゆりかご会 | F Major | 4 | 7B | 115 BPM | ||
| サーチライト(Live at THEATER MILANO-Za 2024.11.3) | Kyoko Koizumi | A♭ Major | 2 | 4B | 122 BPM | ||
| コンサート・アリア《神よ、あなたにお伝えできれば!》 K. 418 | Wolfgang Amadeus Mozart, Hiroko Kouda, ヤクブ・フルーシャ, Prague Philharmonia | F Major | 1 | 7B | 83 BPM |