Arcangelo Corelli, Richard Boothby, Catherine Mackintosh, Robert Woolley's ' "Violin Sonata No. 3 in C Major, Op. 5/3: V. Allegro" was released on its scheduled release date, August 1, 1987. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Violin Sonata No. 3 in C Major, Op. 5/3: V. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 29 in Corelli: La Folia & Other Trio Sonatas by Arcangelo Corelli, Purcell Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Violin Sonata No. 3 in C Major, Op. 5/3: V. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Violin Sonata No. 3 in C Major, Op. 5/3: V. Allegro by Arcangelo Corelli, Richard Boothby, Catherine Mackintosh, Robert Woolley is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
| 12 Trio Sonatas, Op. 2, No. 6: I.-III. Allemanda - Corrente - Giga | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | G Major | 1 | 9B | 114 BPM | ||
| Cello Concerto in C Major, G. 477: III. Allegro | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | G Minor | 3 | 6A | 133 BPM | ||
| Sonata in C Major, No. 3: V. Giga: Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 2 | 1B | 57 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
| Symphony in A Major, J-C 62: IIIb. Allegro (alternative finale) | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Violin Concerto in E Major, D. 50: I. Allegro | Giuseppe Tartini, Ariadne Daskalakis, Kolner Kammerorchester, Helmut Müller-Brühl | E Major | 1 | 12B | 78 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Major | 1 | 9B | 144 BPM | ||
| Marcello, A: Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Il Giardino Armonico, Paolo Grazzi, Giovanni Antonini | D♭ Minor | 0 | 12A | 168 BPM | ||
| Ouverture a 7 concertanti in F Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Aria: Aria | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | A♭ Minor | 1 | 1A | 78 BPM | ||
| Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
| Concerto for 2 Oboes in F Major, Op. 9, No. 3: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 104 BPM | ||
| Oboe Concerto in A Minor: III. Allegro | Domenico Elmi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | A Minor | 3 | 8A | 130 BPM | ||
| Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | C Major | 1 | 8B | 168 BPM | ||
| Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: I. Avec douceur | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 112 BPM | ||
| Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
| Concerto grosso No. 1 in A Major: I. Adagio (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM | ||
| Concerto a 5 in D, Op. 7, No. 1 for Strings and Continuo: 1. (Allegro) | Tomaso Albinoni, I Musici | D Major | 3 | 10B | 108 BPM | ||
| San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
| Concerto in C Major, H.117, Op. 7: I. Francese Presto | Francesco Geminiani, Café Zimmermann | B Major | 3 | 1B | 112 BPM | ||
| Violin Sonata in E Minor, Op.5 No. 8: II. Allemanda (Allegro) | Arcangelo Corelli, Enrico Onofri | F Major | 1 | 7B | 128 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
| Cello Concerto No. 6 in D Major, G. 479: II. Adagio | Luigi Boccherini, Steven Isserlis, Orchestra of the Age of Enlightenment | A Major | 0 | 11B | 71 BPM | ||
| III. Grave | Georg Philipp Telemann, Bedřich Tylšar, Zdeněk Tylšar, Capella Istropolitana, Richard Edlinger | F Minor | 1 | 4A | 100 BPM | ||
| Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM |