Missa Rigensis: IIa. Gloria by Uģis Prauliņš, Stephen Layton, The Choir Of Trinity College, Cambridge Song Details

"Missa Rigensis: IIa. Gloria" by Uģis Prauliņš, Stephen Layton, The Choir Of Trinity College, Cambridge had its release date on February 1, 2010. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Missa Rigensis: IIa. Gloria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 17 in Baltic Exchange: Prauliņš - Missa Rigensis and Other Choral Works by The Choir Of Trinity College, Cambridge, Stephen Layton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Missa Rigensis: IIa. Gloria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Missa Rigensis: IIa. Gloria by Uģis Prauliņš, Stephen Layton, The Choir Of Trinity College, Cambridge is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -21.225 dB
Acousticness: 99%
Danceability: 15%
Energy: 15%
Instrumentalness: 0%
Liveness: 20%
Loudness: 65%
Speechiness: 5%
Valence: 7%

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