Harish Bhimani's ' "Commentray In English" was released on its scheduled release date, 2003. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Commentray In English's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 7 in Durga by Sanjeev Abhyankar. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Commentray In English is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Commentray In English by Harish Bhimani is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Navarna Mantra | Shrikrishna Sawant | F Major | 0 | 7B | 138 BPM | ||
| Chapter 6 - Dhyan Yoga - Shlokas 1,4,5,36 | S. P. Balasubrahmanyam, Harish Bhimani | F♯ Minor | 4 | 11A | 120 BPM | ||
| Navkar Mantra Jaap | Sagar Kendurkar | A♭ Major | 3 | 4B | 136 BPM | ||
| Narayana Kavacham | Sri Ganapathy Sachchidananda Swamiji | D Major | 2 | 10B | 128 BPM | ||
| Navgraha Mantra of All 9 Plants | Priyank | E Minor | 9 | 9A | 111 BPM | ||
| Rudri Path- Adhyay 3 | Divya Jyoti Jagrati Sansthan | A♭ Major | 4 | 4B | 121 BPM | ||
| Keelakam | S.Prakash Kaushik | C Major | 3 | 8B | 105 BPM | ||
| Thal | Baps Swaminarayan Sanstha | D♭ Major | 3 | 3B | 110 BPM | ||
| Mahadeva Deva | Veena Sahasrabuddhe, Umakant Gundecha, Ramakant Gundecha | A♭ Major | 1 | 4B | 158 BPM | ||
| Importance of Mantras | ReligiousRaaga, Harish Bhimani | D♭ Major | 5 | 3B | 110 BPM | ||
| ANO BHADRA - VED PATH | Kirti P Limbani | B Major | 3 | 1B | 143 BPM | ||
| Om Ram Rahave Namah 108 Times In 5 Minutes | Dinesh Arjuna, Ravi Khanna | D Major | 5 | 10B | 163 BPM | ||
| Shri Krishna Govinda | Anandmurti Gurumaa | C Major | 4 | 8B | 112 BPM | ||
| Albhuta Charitre | Amma | D Minor | 5 | 7A | 112 BPM | ||
| Guru Ashtaka | Sri Ganapathy Sachchidananda Swamiji | A Minor | 5 | 8A | 160 BPM | ||
| Chapter 14 - The Three Modes Of Material Nature - Shlokas 2, 9,14,15,17 | S. P. Balasubrahmanyam, Harish Bhimani | G Major | 3 | 9B | 110 BPM | ||
| Mahalakshmyashtaka Stotra | Jaishree Aravind, K.S. Surekha | F Major | 2 | 7B | 139 BPM | ||
| Powerful Mahakali Mantra - Om Jayanti Mangala Kali | Jatin | F Major | 4 | 7B | 80 BPM | ||
| Hari Om Shrichate Laxmi | Pramod Medhi | A♭ Minor | 3 | 1A | 88 BPM | ||
| Introduction to Ganesh | Harish Bhimani | D♭ Major | 1 | 3B | 168 BPM | ||
| Annapurna Stotram | Inner Splendor, Vedika Godbole | D♭ Minor | 3 | 12A | 91 BPM | ||
| Om Bum Budhaya Namah 108 Times (Buch Mercury Mantra) | Manjeera Ganguly | A Minor | 9 | 8A | 130 BPM | ||
| Bhagavad Gita, Pt. 5 - Karma Sanyasa Yoga | Pt. Ved Prakash Phondani | A♭ Major | 3 | 4B | 76 BPM | ||
| Shiva Tandav Stotra | Ashit Desai, Hema Desai, Alap Desai | E♭ Minor | 3 | 2A | 148 BPM | ||
| Agni Sukta - a Sacred Prayer to the Fire God | Ved Vrind | D♭ Major | 4 | 3B | 89 BPM |