Ranbir Thouna, Naveen kumar's 'Mayai Karaba' had a release date set for March 20, 2003. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Ranbir Thouna's "Kaorage" album is number 5 out of 8. Mayai Karaba is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Mayai Karaba by Ranbir Thouna, Naveen kumar to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kukmu Raja | Kumar Sawan, Nirmala Kisku Soren | D♭ Major | 6 | 3B | 96 BPM | ||
| Watwi Mese Mese | Kunal Debbarma | C Major | 6 | 8B | 95 BPM | ||
| Morubhumi Hukan Bali | Diganta Gohain | D Major | 7 | 10B | 135 BPM | ||
| Maya Satawla | LB BARAILY | LB Baraily | F♯ Major | 6 | 2B | 144 BPM | ||
| Bhabte Amar Obak Lage | Emon Khan | F♯ Minor | 10 | 11A | 59 BPM | ||
| Mon Majhi Khobordar | Rabiya Khatun | E♭ Major | 6 | 5B | 170 BPM | ||
| Riso Nimso Rong Aje | Nitu Timungpi, Bidasing Ronghang | D♭ Minor | 6 | 12A | 154 BPM | ||
| Kemat Pang Eh | Karik Beypi, Birensing Kathar | E Major | 7 | 12B | 114 BPM | ||
| NWNG BAI MALAYWI | Bipasha Reang, Gobin Debbarma | B Major | 5 | 1B | 82 BPM | ||
| Ess Amapaneki | Harshana Dissanayake | E Major | 4 | 12B | 171 BPM | ||
| Tomar Oi Chokh | F A Sumon | C Minor | 7 | 5A | 180 BPM | ||
| Mathyan Fula Pori Kela Go Bharleyan (Female) | Leslie Miranda | G Major | 6 | 9B | 75 BPM | ||
| Bondhur bari amar bari | Always Music | E Minor | 4 | 9A | 144 BPM | ||
| Obage Dothin Pidu - Sanuhare Version | Rohana Weerasinghe, Supun Perera, Indrajith Dolamulla, Somasiri Medagedara | G Minor | 6 | 6A | 147 BPM | ||
| DULAR JALA | Shyamal Patar | B Minor | 8 | 10A | 130 BPM | ||
| Om Shiva Om | Sashan Kandel, Sinchury Suresh Ghamal | B Major | 9 | 1B | 92 BPM | ||
| Maipakpi Ibemma | Ranbir Thouna | B Minor | 8 | 10A | 132 BPM | ||
| Ek Darshan Zaruri Hai Shayam | Emotional krishna bhajan | Naga Navtra | G Major | 6 | 9B | 75 BPM | ||
| Thandak Tame | Mandeyso Rongphar, Karavi Phangchopi | A♭ Major | 5 | 4B | 90 BPM | ||
| Dhorim Soronot | D Sankar Gam, Nilakshi Neog | B♭ Major | 6 | 6B | 130 BPM | ||
| Jibon Sadhana | Gayatri Hazarika | C Minor | 6 | 5A | 135 BPM | ||
| Premiye | Shanuka Ekanayake | B♭ Minor | 8 | 3A | 130 BPM | ||
| Jibon Moru (Pole Pole Ure Mon) | Parineeta Borthakur | F♯ Major | 6 | 2B | 144 BPM | ||
| Rahasak Kiyai Ae | Ajith Muthukumarana | G Major | 8 | 9B | 130 BPM | ||
| Banging Hiring Kema -2 (Shivendra Murmu and ROBAI) | SONAMANI PRODUCTION | E Minor | 5 | 9A | 96 BPM |