"Conversation at the Theatre" by Zbigniew Preisner had its release date on 2003. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 61 in the song's album "Trois Couleurs: Bleu, Blanc, Rouge (Original Motion Picture Soundtrack from the Three Colors Trilogy by Kieślowski)". In this album, this song's track order is #57. Furthermore, we believe that the track originated from France. Conversation at the Theatre is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Conversation at the Theatre by Zbigniew Preisner having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Twin Peaks: Laura Palmer's Theme / Main Title Theme (Falling) - Medley / From "Twin Peaks" | Angelo Badalamenti | B♭ Major | 2 | 6B | 71 BPM | ||
| Funeral March II | Patrick Cassidy | E Minor | 1 | 9A | 84 BPM | ||
| Je l'aimais - Thème | Krishna Levy | C Minor | 3 | 5A | 174 BPM | ||
| Lux | Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg, Daniel Hope, Zurich Chamber Orchestra | C Major | 2 | 8B | 94 BPM | ||
| Gates of Tomorrow | Abel Korzeniowski | F♯ Major | 3 | 2B | 83 BPM | ||
| O salutaris hostia | Jan Garbarek, Pierre de la Rue, The Hilliard Ensemble | C Major | 1 | 8B | 89 BPM | ||
| Liber | Viviane Audet, Robin-Joël Cool, Alexis Martin | C Minor | 1 | 5A | 80 BPM | ||
| Recuerdos De La Alhambra (Piano Version) | Francisco Tárrega, Xi Tian | A Major | 0 | 11B | 108 BPM | ||
| The Competition | Guy Farley | B Minor | 2 | 10A | 68 BPM | ||
| The Party on the Wisla | Zbigniew Preisner | C Major | 2 | 8B | 83 BPM | ||
| Hable con Ella | Alberto Iglesias, Remy Van Kesteren | A Minor | 1 | 8A | 111 BPM | ||
| The Revolution Devours Its Children | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Hable con ella | Alberto Iglesias | A Minor | 2 | 8A | 107 BPM | ||
| Lineas De Defensa | Los Triunfadores | A Minor | 3 | 8A | 108 BPM | ||
| Snowfields | Leonard Küßner, Slovak National Symphony Orchestra | F Minor | 1 | 4A | 76 BPM | ||
| The Scene | Wim Mertens | C Major | 2 | 8B | 69 BPM | ||
| Fusion | Roy Ricardo, Ricc Roy | A Minor | 3 | 8A | 90 BPM | ||
| Wong Chia Chi's Theme | Alexandre Desplat | D Minor | 2 | 7A | 78 BPM | ||
| Spiegel im Spiegel for Violin and Piano | Arvo Pärt, Vadim Gluzman, Angela Yoffe | B♭ Major | 0 | 6B | 93 BPM | ||
| Theme From Schindler's List (Reprise) | John Williams, Itzhak Perlman, Boston Symphony Orchestra | G Minor | 0 | 6A | 72 BPM | ||
| The Cave Of Swimmers | Academy of St. Martin in the Fields, Gabriel Yared | C Major | 2 | 8B | 87 BPM | ||
| The Weight of Eternity | Orchestra Nocturna | C Minor | 2 | 5A | 84 BPM | ||
| Soy Marco | Alberto Iglesias | A Minor | 1 | 8A | 170 BPM | ||
| Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM | ||
| Akram Khan's Giselle (After A. Adam): Requiem | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 1 | 6B | 139 BPM |