Tom Hedden's 'Counteraction' had a release date set for March 30, 2011. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Counteraction's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 13 in America's Game Vol. 4 (Music From The NFL Films Series) by Tom Hedden. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Counteraction is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Counteraction by Tom Hedden is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| America's Game Theme | David Robidoux | A Major | 4 | 11B | 105 BPM | ||
| Oblivion (Theme from "Walter") | Zeki Cavkaytar | F♯ Minor | 2 | 11A | 100 BPM | ||
| Special Ops | James Barth | D♭ Major | 1 | 3B | 146 BPM | ||
| The Battle of Kimera | Benjamin Botkin, Angel | A Major | 6 | 11B | 120 BPM | ||
| TNF 32 Suite | VonLichten | B♭ Minor | 7 | 3A | 90 BPM | ||
| Life in Parallel | Erakil Leumann, Erakil Lee | F♯ Major | 3 | 2B | 95 BPM | ||
| The Chase | Nick Glennie-Smith, Hans Zimmer, Harry Gregson-Williams | A Major | 5 | 11B | 162 BPM | ||
| Horizon | Fezela | D Major | 3 | 10B | 85 BPM | ||
| Lemurian Star | Henry Jackman | C Minor | 4 | 5A | 136 BPM | ||
| Levels | Emiliana Harlow, Emily Harlow | D Major | 3 | 10B | 115 BPM | ||
| Enterprise and Shine | Nami Melumad | F Major | 5 | 7B | 93 BPM | ||
| Heart of Fire | Celtroya | B♭ Major | 3 | 6B | 137 BPM | ||
| Defeat Does Not Exist | Leo Birenberg & Zach Robinson | D Major | 4 | 10B | 125 BPM | ||
| Not Like the Train Set | John Ottman | D♭ Major | 3 | 3B | 90 BPM | ||
| Championship Flyover | Tom Hedden, Thomas Patrick McWilliams | B Minor | 6 | 10A | 90 BPM | ||
| A Test Of Will | Tom Hedden | B♭ Major | 4 | 6B | 79 BPM | ||
| American Promise (Arr. for Orchestra by William Ross) | Karen LeFrak, London Symphony Orchestra, William Ross | F♯ Minor | 2 | 11A | 100 BPM | ||
| Air Of Greatness | Tom Hedden | B♭ Major | 4 | 6B | 79 BPM | ||
| The World Of Tomorrow | Edward Shearmur | F Major | 4 | 7B | 126 BPM | ||
| Burlingame (PGA Championship) | E.S. Posthumus | A♭ Major | 5 | 4B | 165 BPM | ||
| Johnny's Coming Home (Bonus Track) | Sam Spence | C Minor | 2 | 5A | 132 BPM | ||
| Vem , Rei Eterno - Instrumental | Kleberson e Nathalia | N/A | N/A | N/A | 0 BPM | ||
| Make It So | Stephen Barton, Frederik Wiedmann | F♯ Major | 3 | 2B | 86 BPM | ||
| Over That Next Hill | Jeff Broadbent | A Minor | 2 | 8A | 120 BPM | ||
| Blighted Battleground | Jeremy Soule | F♯ Minor | 2 | 11A | 100 BPM |