On April 24, 2023, the song "Nakaima Fuli" was released by Astha Raut. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 7 in Aadhar-2 by Astha Raut. Going off of the ISRC code of this track, we detected that the origin of this track is from Nepal. Based on our statistics, Nakaima Fuli's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Nakaima Fuli by Astha Raut is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mul Hau Bhane | Hemant Sharma | G Major | 8 | 9B | 112 BPM | ||
| Gorkhe Khukuri | Nischal Dawadi, Shanti Shree Pariyar | B♭ Minor | 9 | 3A | 174 BPM | ||
| Tal Tal Talkine (From "Bir Bikram") | Rajesh Payal Rai, Anila Rai, Tara Prakash Limbu | G Major | 6 | 9B | 80 BPM | ||
| Chari Chatta Pari | Rajan Raj Siwakoti, Anju Panta | A♭ Major | 8 | 4B | 120 BPM | ||
| Rimai | Prakash Dutraj, Melina Rai | F♯ Major | 6 | 2B | 132 BPM | ||
| Fula Ta Fulyo Keshari | Bishwo Dong, Kajal Bomjan Tamang | E Minor | 9 | 9A | 90 BPM | ||
| Kadam Chal | Astha Raut | A♭ Major | 8 | 4B | 128 BPM | ||
| Lahure | Chhewang Lama | A♭ Major | 6 | 4B | 85 BPM | ||
| Dil basyo | Raju Lama | B Major | 5 | 1B | 107 BPM | ||
| Chal Batas Chal | Pramod Kharel | F♯ Major | 9 | 2B | 125 BPM | ||
| Pitch Road | Samir Acharya | C Major | 5 | 8B | 77 BPM | ||
| Goli Sisha Ko | Umesh Pandey, Ramana Shrestha | G Major | 5 | 9B | 105 BPM | ||
| Ko Hau Timi | Surendra Man Singh, Rajina Rimal | A♭ Major | 5 | 4B | 93 BPM | ||
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| Jhamke Maya | Samir Acharya | F♯ Major | 4 | 2B | 98 BPM | ||
| Herda Herdai Maa (From "Laaj Sharanam") | Ashish Aviral, Shanti Shree Pariyar, Krishna Bhardwaj | A♭ Major | 7 | 4B | 105 BPM | ||
| Fulthunge Rani | Sujan Chapagain | F Major | 6 | 7B | 98 BPM | ||
| Ekai Nazarma - Remix | Deepesh Kishor Bhattarai | B♭ Major | 8 | 6B | 85 BPM | ||
| Kati Baschhau Maitikai Kausima | Himal Shrestha, Anju Panta | A Major | 9 | 11B | 113 BPM | ||
| Kasham Hamile Khayeka Thiyeu Female(From "Nai Nabhannu la 4") | Rajina Rimal | D Major | 6 | 10B | 78 BPM | ||
| Crush | Sarin Tamang, Brijesh Shrestha | G Major | 7 | 9B | 98 BPM | ||
| Jaat | Chhewang Lama | G Major | 3 | 9B | 129 BPM | ||
| Takan Tukun (From "Kamaley Ko Bihey") | Rajan Raj Shiwakoti, Mandabi Tripathi | E Major | 6 | 12B | 135 BPM | ||
| Saili | Hemanta Rana, Kali Prasad Baskota | G Major | 9 | 9B | 84 BPM | ||
| Aau Aauna | Nima Rumba | A Major | 5 | 11B | 174 BPM |