Joe Albany's ' "April in Paris" was released on its scheduled release date, January 1, 2015. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. April in Paris's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 17 in An Evening with Joe Albany by Joe Albany. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. The popularity of April in Paris is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of April in Paris by Joe Albany is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quiet Corners | Subtle Frequencies | C Major | 0 | 8B | 135 BPM | ||
| Embraceable You - 1990 Remaster | Bud Powell Trio | D Minor | 0 | 7A | 97 BPM | ||
| Last Call in Sepia | Velvet Corners Quartet | G Major | 1 | 9B | 110 BPM | ||
| You Can Depend On Me | Earl Hines | F Minor | 4 | 4A | 93 BPM | ||
| Between Stations | The Overtowns | A♭ Major | 1 | 4B | 103 BPM | ||
| Catalonian Nights | George Cables | F♯ Major | 3 | 2B | 97 BPM | ||
| Rainy day | scoth | G Major | 1 | 9B | 110 BPM | ||
| New Soul Race, Pt. IV | Mallum Bat | C Minor | 2 | 5A | 88 BPM | ||
| So Little Time | Eddie Heywood | A♭ Major | 0 | 4B | 81 BPM | ||
| Just call me baby | Vintage Calm Lounge | G Major | 1 | 9B | 110 BPM | ||
| Tree | raLoki | G Major | 1 | 9B | 110 BPM | ||
| Preludium, Pt. XIV | Fort Bella | G Minor | 2 | 6A | 147 BPM | ||
| Believe It Beloved | Earl Hines | C Major | 4 | 8B | 76 BPM | ||
| Love Walked In | Marc Hemmeler, Ray Brown | C Major | 1 | 8B | 116 BPM | ||
| The Room After Words | Milo Crescent | G Major | 1 | 9B | 110 BPM | ||
| Late Farewell | Groovewell | F Minor | 3 | 4A | 160 BPM | ||
| I Mean You | Esbjörn Svensson Trio | B♭ Major | 3 | 6B | 126 BPM | ||
| Silk Shadows on Riverside | Amber Jazz Trio | G Major | 1 | 9B | 110 BPM | ||
| Masento | Blue Rectangles | B Minor | 0 | 10A | 84 BPM | ||
| A Conversation with Joe Albany | Joe Albany | B♭ Major | 0 | 6B | 94 BPM | ||
| Cheese Cake | George Cables | C Minor | 5 | 5A | 120 BPM | ||
| Coffee and Crescendos | Diner Express | G Minor | 4 | 6A | 93 BPM | ||
| Topsy | Paul Bley | F Minor | 5 | 4A | 96 BPM | ||
| You Sweet And Fancy Lady | Barry Harris Trio | D♭ Major | 1 | 3B | 115 BPM | ||
| Three In One | Chuck Redd | A♭ Major | 1 | 4B | 96 BPM |