On September 15, 2007, the song "Bad Moon Rising" was released by The Reels. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Reel To Reel: 1978 - 1992". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Australia. In terms of popularity, Bad Moon Rising is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bad Moon Rising by The Reels having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breakaway | Big Pig | D♭ Major | 7 | 3B | 120 BPM | ||
| For All We Know | The Reels | D♭ Major | 4 | 3B | 72 BPM | ||
| If You Leave Me Can I Come Too? | Mental As Anything | G Major | 6 | 9B | 111 BPM | ||
| That's When I Think of You | 1927 | G Major | 8 | 9B | 123 BPM | ||
| Not Like That | Club Hoy | A Major | 4 | 11B | 100 BPM | ||
| Scorn of the Women | Weddings Parties Anything | D Major | 3 | 10B | 113 BPM | ||
| World Turning - Rawak Mix | Yothu Yindi, Angelique Cooper | E Major | 9 | 12B | 112 BPM | ||
| The Living Kind | Ups and Downs | G Major | 9 | 9B | 165 BPM | ||
| I’ll Be Gone - Full Length version | Spectrum | D Major | 7 | 10B | 147 BPM | ||
| All I Wanna Do | Jo Jo Zep and The Falcons | D Major | 5 | 10B | 148 BPM | ||
| The Real Thing - Acoustic | Russell Morris | B♭ Major | 3 | 6B | 140 BPM | ||
| Ghost Ships | The Saints | C Major | 6 | 8B | 130 BPM | ||
| In My Life | Divinyls | E♭ Major | 9 | 5B | 108 BPM | ||
| You're Just Too Hip, Baby | Dave Graney & The Coral Snakes | E Major | 6 | 12B | 122 BPM | ||
| You Got Soul | The Reels | D♭ Major | 6 | 3B | 89 BPM | ||
| You Weren't in Love With Me | Billy Field | B♭ Major | 4 | 6B | 206 BPM | ||
| Theme (From "The Lounge Bar") | The Front Lawn | G Major | 4 | 9B | 130 BPM | ||
| The Love Song | Died Pretty | D Major | 7 | 10B | 110 BPM | ||
| Soviet Snow | Shona Laing | A Major | 6 | 11B | 124 BPM | ||
| Lose the Baby | Lost Animal | A Minor | 7 | 8A | 130 BPM | ||
| Heavenly Pop Hit | The Chills | A Minor | 6 | 8A | 115 BPM | ||
| Someone's Singing New York New York | Ghostwriters | E♭ Major | 9 | 5B | 149 BPM | ||
| Nude School | Painters and Dockers | A Major | 9 | 11B | 147 BPM | ||
| Graffiti Crimes | Mi-Sex | E Major | 9 | 12B | 163 BPM | ||
| Lover or the Loved | The Blackeyed Susans | G Major | 4 | 9B | 199 BPM |