Victor Villadangos's ' "Coming Back" was released on its scheduled release date, February 18, 2004. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Tango Argentino". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Coming Back is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Coming Back by Victor Villadangos having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guitar Sonata No. 3: I. Allegro preciso e ritmico | Carlos Guastavino, Victor Villadangos | E Major | 0 | 12B | 67 BPM | ||
| Binibiro Lamang Kita | Raffy Lata | A Major | 1 | 11B | 72 BPM | ||
| Milonga Sureña Nº 5 | Carlos Moscardini | A Minor | 2 | 8A | 128 BPM | ||
| Jurame (Arr. J.C. Oliva) | María Grever, Julio Cesár Oliva | E Minor | 2 | 9A | 90 BPM | ||
| Etude No. 6 (arr. of F. Sor: 24 Very Easy Exercises Op. 35 No. 17) | Fernando Sor, Roland Dyens, Quatuor Arthur. Le Blanc | G Major | 0 | 9B | 126 BPM | ||
| Brouwer: 2 Temas populares cubanos: No. 2, Ojos brujos | Leo Brouwer, Eliot Fisk | A Minor | 0 | 8A | 116 BPM | ||
| Sanz: Instrucción de Música Sobre la Guitarra Española, Libro II: Canarios | Gaspar Sanz, Oscar Caceres | D Major | 1 | 10B | 146 BPM | ||
| Imaginario popular argentino (Popular Argentine Legends): I. Pachamama | Marcelo Coronel, Victor Villadangos | D Major | 0 | 10B | 77 BPM | ||
| Se ela preguntar - Waltz (Paschoito) | Dilermando Reis, Ricardo Cobo | E Minor | 0 | 9A | 164 BPM | ||
| Milonga of My Loves | Victor Villadangos | E Minor | 1 | 9A | 103 BPM | ||
| Chimère | Francois Michel Dubois | E Minor | 0 | 9A | 106 BPM | ||
| El Alma de la Cañada | Ernesto Méndez | A Minor | 2 | 8A | 131 BPM | ||
| Cinco Piezas para Guitarra: Compadre | Victor Villadangos | A Minor | 1 | 8A | 128 BPM | ||
| Snake and Sun | Emily Smith, Michael H | A Minor | 3 | 8A | 146 BPM | ||
| Elegía para la Muerte de un Tanguero: Confusela | Victor Villadangos | E Minor | 1 | 9A | 115 BPM | ||
| When the White Lilacs Bloom Again (Arr. T. Ippo) | Franz Doelle, Tsuboi Ippo, Sachiko Miyashita | G Major | 4 | 9B | 150 BPM | ||
| Mimi | Lukas Proyer | D Major | 3 | 10B | 110 BPM | ||
| La pobrecita (zamba) | Atahualpa Yupanqui, Roberto Aussel | A Minor | 1 | 8A | 93 BPM | ||
| 8 Valses Poeticos: No. 1, Melodico (Arr. Raphaël Feuillâtre) | Raphaël Feuillâtre | A Major | 0 | 11B | 44 BPM | ||
| Homenaje a Tarrega: I. Garrotin | Joaquín Turina, Sebastien Llinares | D Major | 2 | 10B | 141 BPM | ||
| Suite Colombiana No. 3: II. II. Nunca te Olvido | Gentil Montaña, José Antonio Escobar | D Minor | 0 | 7A | 66 BPM | ||
| Guitar Sonata No. 6 in F Major, MS 84: Minuet - Allegretto | Niccolò Paganini, Marco Tamayo | E Minor | 0 | 9A | 164 BPM | ||
| Carcassi: Études, Op. 60: No. 3 in A Major | Matteo Carcassi, Oscar Caceres | A Major | 2 | 11B | 113 BPM | ||
| Heitor Villa-Lobos: Preludio Nº4 en Mi Menor | Heitor Villa-Lobos, Victor Villadangos | E Minor | 1 | 9A | 117 BPM | ||
| Escarramán, A Suite of Spanish Dances from the XVI Century (after Cervantes), Op. 177: I. Gallarda | Mario Castelnuovo-Tedesco, Davide Giovanni Tomasi | G Major | 1 | 9B | 115 BPM |