Tatsuya Ishii's ' "五番街のマリーへ" was released on its scheduled release date, September 27, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 16 in DIAMOND MEMORIES (Special Edition) by Tatsuya Ishii. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. 五番街のマリーへ is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 五番街のマリーへ by Tatsuya Ishii is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lookin' for the eighth color of the rainbow ~8番目の虹の色をさがしに~ | T-BOLAN | A Minor | 9 | 8A | 124 BPM | ||
| 青春の帰り道 | 金村ひろし, まつざき幸介 | E Major | 8 | 12B | 127 BPM | ||
| あの夏が聴こえる | Yuji Oda | A♭ Major | 8 | 4B | 124 BPM | ||
| 雨の慕情 | 杜このみ | F Minor | 7 | 4A | 134 BPM | ||
| 明日の前に | Takuro Yoshida | B♭ Major | 5 | 6B | 110 BPM | ||
| 愛は砂漠 | 鶴岡雅義と東京ロマンチカ 三條正人 | G Minor | 4 | 6A | 118 BPM | ||
| ナイヨ・ナイヨ・ナイト | Hiromi Go | E Minor | 7 | 9A | 173 BPM | ||
| HEY YOU・・・ - Remastered 2022 | Eikichi Yazawa | F Major | 4 | 7B | 70 BPM | ||
| いいかげんにして | Raymond Matsuya | F Minor | 8 | 4A | 112 BPM | ||
| ガキの頃のように | Takao Horiuchi | D Major | 5 | 10B | 144 BPM | ||
| 黄昏 | Satoshi Kishida | B Minor | 4 | 10A | 183 BPM | ||
| すなおになれば | Takuro Yoshida | C Major | 3 | 8B | 98 BPM | ||
| 土砂降りの雨だから | すぎもとまさと | A Minor | 7 | 8A | 190 BPM | ||
| 恋人も濡れる街角 | Tatsuya Ishii | E Minor | 6 | 9A | 118 BPM | ||
| 大切なもの | Raymond Matsuya | C Major | 7 | 8B | 136 BPM | ||
| 桜夜 | Sayuri Ishikawa | A Minor | 4 | 8A | 84 BPM | ||
| 月待ちの夜 | 二見颯一 | B Minor | 5 | 10A | 157 BPM | ||
| ひとりで泣くなよ | 山本譲二 | E Minor | 7 | 9A | 108 BPM | ||
| いわし雲 | N.S.P | F Major | 3 | 7B | 99 BPM | ||
| つつましく たくましく | Raymond Matsuya | E Minor | 2 | 9A | 102 BPM | ||
| 月よ高く昇れ | Park Junyoung | E Minor | 5 | 9A | 132 BPM | ||
| 青春の影 | Ayumi Nakamura | A Major | 4 | 11B | 132 BPM | ||
| 恋恋歌 | 梅谷心愛 | A Minor | 7 | 8A | 83 BPM | ||
| 赤い雪 | Park Junyoung | C Minor | 5 | 5A | 80 BPM | ||
| もう誰も愛さない | Hiromi Go | E♭ Major | 6 | 5B | 160 BPM |