祖堅 正慶's ' "宵の海 ~紅玉海:夜~" was released on its scheduled release date, 1992. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. 宵の海 ~紅玉海:夜~'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 105 in the song's album "STORMBLOOD: FINAL FANTASY XIV Original Soundtrack". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Japan. Based on our statistics, 宵の海 ~紅玉海:夜~'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 宵の海 ~紅玉海:夜~ by 祖堅 正慶 having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano: The Sound of the End | 帆足圭吾 | D Minor | 7 | 7A | 112 BPM | ||
| 安らぎの部屋 | Nobuo Uematsu | C Minor | 5 | 5A | 106 BPM | ||
| FFVII REMAKE: Flowers Blooming in the Church | 植松 伸夫 | A Major | 2 | 11B | 148 BPM | ||
| CRISIS CORE Theme - The Scars That Remain | 石元 丈晴 | G Major | 3 | 9B | 84 BPM | ||
| The Thousand Tables | 今村 貴文, 祖堅 正慶 | A Major | 3 | 11B | 75 BPM | ||
| Indomitable - The Kingdom of Waloed | 今村 貴文, 祖堅 正慶, 植松 伸夫 | G Minor | 1 | 6A | 76 BPM | ||
| Time of Loss | ryo | A♭ Minor | 2 | 1A | 142 BPM | ||
| Mystic Ruins | Noriyasu Agematsu | B Minor | 2 | 10A | 82 BPM | ||
| Factory | SIE Sound Team | A♭ Major | 3 | 4B | 150 BPM | ||
| A Wish... | Hiroki Kikuta | A Minor | 2 | 8A | 70 BPM | ||
| Snow in Summer | 帆足 圭吾(MONACA) | B♭ Minor | 1 | 3A | 77 BPM | ||
| Theme of Rao | T’s MUSIC | B♭ Major | 4 | 6B | 80 BPM | ||
| The End of Time | Malcolm Robinson | A Minor | 3 | 8A | 148 BPM | ||
| Arcane Incantation | Keisuke Ito | E Minor | 2 | 9A | 108 BPM | ||
| ST03 The Old City Of Vigrid | BAYONETTA | A Minor | 5 | 8A | 140 BPM | ||
| Coffee and Contemplation | 鈴木克崇 | F Minor | 1 | 4A | 83 BPM | ||
| FFVII REMAKE: On Our Way | 植松 伸夫 | G Major | 3 | 9B | 139 BPM | ||
| Burden to Bear | 石元 丈晴 | E Minor | 3 | 9A | 172 BPM | ||
| ザナラーンの黄昏 | Nobuo Uematsu | A Minor | 2 | 8A | 144 BPM | ||
| Piano: Voice of no Return | 岡部 啓一 | F Minor | 5 | 4A | 89 BPM | ||
| Sawayaka Na Asa | Falcom Sound Team jdk | C Major | 3 | 8B | 111 BPM | ||
| Eruyt Village - Zodiac Age Version | Hitoshi Sakimoto | B Major | 2 | 1B | 120 BPM | ||
| Safe Zone | Vanguard Sound, RabbitJ, 赛博传媒-2064 | B♭ Minor | 6 | 3A | 95 BPM | ||
| The Sochen Cave Palace | Masaharu Iwata | B Minor | 4 | 10A | 130 BPM | ||
| Reality and the Universe | Keiichi Okabe | D Minor | 0 | 7A | 115 BPM |