"Turning Tide" by Mark Slater had its release date on May 19, 2023. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mark Slater's "Kyst" album is number 2 out of 4. On top of that, United Kingdom appears to be the country where this track was created. Turning Tide is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turning Tide by Mark Slater to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Wave | Olivier Lemoine | C Minor | 0 | 5A | 65 BPM | ||
| Willeth | Kino | C Major | 2 | 8B | 100 BPM | ||
| Where Do We Go From Here | Njord | B♭ Major | 1 | 6B | 180 BPM | ||
| instead | Lara Somogyi | A♭ Major | 1 | 4B | 138 BPM | ||
| A Note from Time | Oscar Kowalski, Emma Jackson | B♭ Major | 1 | 6B | 63 BPM | ||
| Hammer Frenzy - Edit | Theo Alexander | A♭ Minor | 5 | 1A | 148 BPM | ||
| Seance | Tom Ashbrook | A♭ Minor | 3 | 1A | 73 BPM | ||
| See You in São Paulo | Chelsea McGough | E♭ Major | 3 | 5B | 105 BPM | ||
| Rachel | Hania Rani | C Minor | 0 | 5A | 65 BPM | ||
| Peter | Tom Ashbrook | C Major | 7 | 8B | 102 BPM | ||
| a safe place | Nick Vereshchak | A♭ Major | 1 | 4B | 92 BPM | ||
| Pathways | Mark Slater | D♭ Major | 0 | 3B | 92 BPM | ||
| Late Prologue | Mark Slater | D Major | 0 | 10B | 108 BPM | ||
| Inside Me | Cesare Picco, Leonardo Sapere | C Minor | 0 | 5A | 130 BPM | ||
| Crossing Place | Subsona, Stuart McCallum, Mark Slater | G Major | 5 | 9B | 131 BPM | ||
| Infinite Sonata | Jordan Critz | C Major | 2 | 8B | 195 BPM | ||
| Reverie | Chelsea McGough | C Major | 0 | 8B | 107 BPM | ||
| Søndermarken (Video Edit) | Henrik Lindstrand | A Major | 2 | 11B | 152 BPM | ||
| Composite 09 | Thrupence, Josh Hooke, Jack Vanzet | F♯ Minor | 1 | 11A | 59 BPM | ||
| False Sunset (Todd & Klein Rework) | Infralyd, Todd & Klein | F♯ Minor | 2 | 11A | 105 BPM | ||
| Void Layer | Silent Axis | F Minor | 3 | 4A | 120 BPM | ||
| Wandering I | Eydís Evensen | G Minor | 1 | 6A | 72 BPM | ||
| Thesis | Peter Sandberg | G Minor | 1 | 6A | 95 BPM | ||
| Who is Guarding the Sky? | Natalia Tsupryk | C Minor | 0 | 5A | 65 BPM | ||
| Fireflies | Stephan Moccio | B♭ Minor | 0 | 3A | 136 BPM |