String Octet in C Major, Op. 7 (Version for String Orchestra): III. Lentement by George Enescu, Tabea Zimmermann, Ensemble Resonanz Song Details

"String Octet in C Major, Op. 7 (Version for String Orchestra): III. Lentement" by George Enescu, Tabea Zimmermann, Ensemble Resonanz had its release date on November 7, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 23 in Enescu: String Octet, Op. 7 – Britten: Lachrymae, Op. 48a (Versions for string orchestra) by Tabea Zimmermann, Ensemble Resonanz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. String Octet in C Major, Op. 7 (Version for String Orchestra): III. Lentement is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of String Octet in C Major, Op. 7 (Version for String Orchestra): III. Lentement by George Enescu, Tabea Zimmermann, Ensemble Resonanz is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -36.303 dB
Acousticness: 94%
Danceability: 14%
Energy: 0%
Instrumentalness: 6%
Liveness: 12%
Loudness: 39%
Speechiness: 5%
Valence: 4%

Recommendations

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Romeo and Juliet, Op. 64, Act I: Dance of the Knights (Transcr. for Violin and Piano by David Grjunes)	Sergei Prokofiev, Giorgi Gigashvili, Lisa Batiashvili	C Major	0	8B	65 BPM
Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile	Robert Schumann, Alexander Melnikov, Jerusalem Quartet	B♭ Major	0	6B	74 BPM
String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto	Dmitri Shostakovich, Cuarteto Casals	C Major	0	8B	65 BPM
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Miške, MKČ 101: II. Exposition, Bridge Passage	Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla	A Minor	0	8A	85 BPM
9 Preludes, Op. 1: No. 2, Andante con moto	Karol Szymanowski, Paolo Ceccarini	G Minor	0	6A	72 BPM
3 Romances, Op. 11: No. 1 in E-Flat Minor	Clara Schumann, Jean-Pierre Armengaud	B Minor	0	10A	70 BPM
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String Quartet No.1, Sz.40: I. Lento	Béla Bartók, Belcea Quartet	A♭ Major	0	4B	86 BPM
Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo	Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko	C Major	0	8B	65 BPM