"Finding The Source" by Marc Teitler had its release date on October 31, 2025. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Finding The Source's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Secret Agent". In this album, this song's track order is #6. Based on our statistics, Finding The Source's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finding The Source by Marc Teitler having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spirit Guide | Chiara Dubey, Robot Koch, Foam and Sand | B♭ Major | 1 | 6B | 112 BPM | ||
| Storyteller Pizzicato Cello | Rafael Krux | D Minor | 3 | 7A | 110 BPM | ||
| Gnossienne no. 3 | Romi Kopelman | A Minor | 2 | 8A | 172 BPM | ||
| Chanson hébraïque (From Chants populaires, M. A17) - Recomposed | Victor Le Masne, Camille Thomas | D Major | 2 | 10B | 46 BPM | ||
| I opened the sky so you could see the universe | Kisnou, Hénerik Treus | D♭ Minor | 3 | 12A | 78 BPM | ||
| The Architect | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | D Minor | 5 | 7A | 128 BPM | ||
| Mirror | Steven Gutheinz | F♯ Minor | 2 | 11A | 87 BPM | ||
| Hungarian Charade | Magnus Ludvigsson | F♯ Major | 2 | 2B | 108 BPM | ||
| Further and Further | Michael Vignola, Violinist Francesca Dardani | E Minor | 1 | 9A | 72 BPM | ||
| Nira | Claudio Constantini | D Major | 1 | 10B | 63 BPM | ||
| Reflections II | May Roosevelt | A Minor | 2 | 8A | 80 BPM | ||
| 16mm | Kepa Lehtinen | F Major | 0 | 7B | 80 BPM | ||
| Tears on a Lonely Bridge | Steyl | C Major | 2 | 8B | 80 BPM | ||
| Coming To | Park Jiha | F Major | 0 | 7B | 91 BPM | ||
| Discovery | Uhibla | G Minor | 6 | 6A | 95 BPM | ||
| Toda al Hakol - Mvt IV | Asaf Sagiv, Suzanne Waters, Kelci Hahn, First Dome Chamber Choir, Jenny Wong | D♭ Major | 0 | 3B | 48 BPM | ||
| Spooky | Perfect, so dystopian | D Minor | 1 | 7A | 140 BPM | ||
| Burst of Being | George Bogdanov | C Major | 2 | 8B | 132 BPM | ||
| Everywhere | Sofi Paez | D♭ Minor | 0 | 12A | 74 BPM | ||
| Four Hands for Peace | JG Shadid, Ira Antelis | E♭ Minor | 1 | 2A | 75 BPM | ||
| Joy to the End of the World | Marc Teitler | A♭ Major | 2 | 4B | 116 BPM | ||
| Licisca's Lament | Ruth Barrett | D Major | 3 | 10B | 91 BPM | ||
| Help Me Fear the Stars | Iván Muela | C Major | 2 | 8B | 115 BPM | ||
| So close, so far | Andrii Pokaz, Yura Pogoretsky | F Minor | 2 | 4A | 146 BPM | ||
| Lacrimosa Noctis Aeternae | Fabrizio Brugnera, The Dark Philosophy of Cosmicism | D Major | 3 | 10B | 83 BPM |