Christophe Julien, Pascal Contet, Royal Chamber Orchestra of Wallonia, Paul Meyer's 'Valentino Suite: III. Cadenza' had a release date set for February 5, 2021. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Valentino Suite: III. Cadenza's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tango". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. In terms of popularity, Valentino Suite: III. Cadenza is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valentino Suite: III. Cadenza by Christophe Julien, Pascal Contet, Royal Chamber Orchestra of Wallonia, Paul Meyer having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If You Came for a While | Zoe Tiganouria | A Minor | 2 | 8A | 112 BPM | ||
| Au lait | Airelle Besson, Lionel Suarez | D Major | 2 | 10B | 132 BPM | ||
| Raphaël, Reviens, Act 3: "Instrumental et Final" | Bernard Cavanna, Noëmi Schindler, Christophe Roy, Pascal Contet, Thierry Grégoire, Vincent Billier, Laurent Bordeaux, Olivier Dumait, Patricia Gonzales, Samuel Gangneron | B Minor | 0 | 10A | 112 BPM | ||
| Area sismica II | Joëlle Léandre, Pascal Contet | G Major | 5 | 9B | 98 BPM | ||
| Distorted Reflection: VI. Party | Bishara Khell, Amira Ishaq, Bishara Haroni, Carol Ibrahim, Eleni Ghassan Mustaklem, Hikmat Ata Qaymari, Hussein Abu Al-Rob, Jalal Nader Albess, Jude Al Qalawi, Luay Bishara, Mahmoud Karzon, Mahran Moreb, Mohammed Karzon, Muntaser Jabarini, Rashed Za'rour, | B♭ Major | 3 | 6B | 75 BPM | ||
| Ginastera : La moza donosa | Alberto Ginastera, Daniel Barenboim, Rodolfo Mederos, Héctor Console | E Minor | 0 | 9A | 80 BPM | ||
| Dances and Songs | Pascal Contet | C Major | 4 | 8B | 120 BPM | ||
| La légende de Legrand (The Summer Knows/The Windmills of Your Mind/Les parapluies de Cherbourg) | Alan Bergman / Marilyn Bergman / Michel Jean Legrand, Quatuor Rhapsodie | D Minor | 3 | 7A | 142 BPM | ||
| Misa Tango: IV. Sanctus | MartÍn Palmeri, Astoria, Philippe Gérard | F Major | 1 | 7B | 79 BPM | ||
| Karl Koop Konzert, comédie pompière, sociale et réaliste pour accordéon et orchestre: Galop pompier | Bernard Cavanna, Pascal Contet, Orchestre National de Lille, Grant Llewellyn | A♭ Major | 5 | 4B | 128 BPM | ||
| Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | G Major | 5 | 9B | 95 BPM | ||
| IV | Sammy Weissberg, Samuel Weissberg | D Major | 2 | 10B | 132 BPM | ||
| For Bruno M | Pascal Contet | F Major | 0 | 7B | 130 BPM | ||
| The Groovy Birds (First Movement from The Four Seasons in Janoska Style, Spring, Violin Concerto in E Major, Op. 8/1, RV 269) | Antonio Vivaldi, Janoska Ensemble | E Major | 3 | 12B | 115 BPM | ||
| Misa Tango: III. Credo | MartÍn Palmeri, Astoria, Philippe Gérard | E Major | 5 | 12B | 131 BPM | ||
| Vals De La Evocacion | Mariano Mores | B♭ Minor | 3 | 3A | 132 BPM | ||
| Oriental Suite: I - Song Of The Aisors | G. I. Gurdjieff, Thomas de Hartmann, Metropole Orkest, The Little Orchestra | F Minor | 0 | 4A | 112 BPM | ||
| Miroirs, M.43: No. 4, Alborada del gracioso | Maurice Ravel, Hsiang Tu | D Major | 2 | 10B | 132 BPM | ||
| GRIEF AND SORROW | Toshio Masuda, Andrea Cicalese, Louis Philippson, NDR Radiophilharmonie, Michael England | D Major | 2 | 10B | 132 BPM | ||
| Piazzolla / Arr. Morganti: Chau Paris | Lucienne Renaudin Vary | G Minor | 2 | 6A | 132 BPM | ||
| Cuyo | Bandonegro | F Minor | 5 | 4A | 157 BPM | ||
| Impression Tango | Graciane Finzi, Marianne Piketty, Pascal Contet | G Major | 4 | 9B | 160 BPM | ||
| Sans Toi | Håkan Hardenberger, Roland Pöntinen, Academy of St. Martin in the Fields, Kenneth Sillito | F Minor | 1 | 4A | 86 BPM | ||
| Four Seasons of Buenos Aires: IV. Invierno Porteño | Devich Trio | E♭ Major | 1 | 5B | 103 BPM | ||
| María Santísima de Araceli | Alberto Iglesias | A Minor | 1 | 8A | 136 BPM |