Conlon Nancarrow's 'Study No. 20' had a release date set for January 1, 1977. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 46 in the song's album "Studies for Piano Player". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Study No. 20's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Study No. 20 by Conlon Nancarrow having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rohtko Chapel 1 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| Nagoya Marimba | Steve Reich, Bob Becker, James Preiss | B Minor | 8 | 10A | 143 BPM | ||
| 4 Etudes de rythme: Ile de feu I (Isle of Fire I) | Olivier Messiaen, Håkon Austbø | E Major | 2 | 12B | 120 BPM | ||
| Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
| Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
| Variations on a theme of Frank Bridge, Op. 10: IX. Funeral March | Benjamin Britten, English Chamber Orchestra | F Minor | 1 | 4A | 81 BPM | ||
| Schoenberg: 6 Little Piano Pieces, Op. 19: No. 6, Sehr langsam | Arnold Schoenberg, Daniel Barenboim | B♭ Major | 0 | 6B | 184 BPM | ||
| Quatuor pour la fin du temps: 1. Liturgie de cristal | Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim | G Major | 4 | 9B | 79 BPM | ||
| Les chauves-souris choréographique | Niklas Sivelov | A Minor | 3 | 8A | 171 BPM | ||
| Stoned | The Chitinous Ensemble | G Major | 5 | 9B | 104 BPM | ||
| Parlour Games | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 130 BPM | ||
| Turangalîla-Symphonie: I. Introduction | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | B Major | 4 | 1B | 152 BPM | ||
| Valses nobles et sentimentales, M. 61a: VIII. Epilogue. Lent | Maurice Ravel, The Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 103 BPM | ||
| Nocturne No. 1 in E-Flat Minor, Op. 33/1 | Gabriel Fauré, Jean Martin | D♭ Minor | 1 | 12A | 113 BPM | ||
| Ionisation | Edgard Varèse, Pierre Boulez, New York Philharmonic | D♭ Major | 4 | 3B | 129 BPM | ||
| A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
| Visions fugitives, Op. 22: VII. Pittoresco | Sergei Prokofiev, Anna Gourari | D Major | 0 | 10B | 78 BPM | ||
| Lachenmann: Wiegenmusik | Helmut Lachenmann, Bertrand Chamayou | D♭ Major | 0 | 3B | 72 BPM | ||
| Piano Concerto: Movement I | Unsuk Chin, Myung-Whun Chung, Seoul Philharmonic Orchestra, Sunwook Kim | A Major | 4 | 11B | 106 BPM | ||
| Nocturnes, CD 98: III. Sirènes | Claude Debussy, The Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus | F♯ Major | 0 | 2B | 81 BPM | ||
| Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | ||
| Shaker Loops: 4. A Final Shaking | John Adams, San Francisco Symphony, Edo de Waart | E Minor | 2 | 9A | 171 BPM | ||
| Ma mère l'Oye, M. 60: II. Petit Poucet - Très modéré | Maurice Ravel, Louis Lortie, Hélène Mercier | C Minor | 0 | 5A | 70 BPM | ||
| Hallelujah Junction: 3rd Movement | John Adams | C Minor | 3 | 5A | 113 BPM | ||
| Finding Rothko: IV. Wine | Adam Schoenberg, Kansas City Symphony, Michael Stern | A Major | 0 | 11B | 74 BPM |