シネマサウンズ・オーケストラ's '朝な夕なに~真夜中のブルース' had a release date set for March 2, 2011. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. 朝な夕なに~真夜中のブルース's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 映画音楽夢コレクション LOVE ~愛情物語~, so we believe that "朝な夕なに~真夜中のブルース" is a single. 朝な夕なに~真夜中のブルース is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 朝な夕なに~真夜中のブルース by シネマサウンズ・オーケストラ is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 風のささやき (華麗なる賭けより) | スクリーン・サウンド・アート・オーケストラ | E Minor | 3 | 9A | 101 BPM | ||
| ブラジル | パーシー フェイス | F Major | 3 | 7B | 115 BPM | ||
| グリーンスリーブス | マントヴァーニ楽団 | A Minor | 1 | 8A | 76 BPM | ||
| 枯葉 | ピエール・ポルト・オーケストラ | F Major | 1 | 7B | 65 BPM | ||
| ヤマト飛翔 - 「宇宙戦艦ヤマトIII」使用BGM | 宮川 泰, シンフォニック・オーケストラ・ヤマト | A Minor | 6 | 8A | 170 BPM | ||
| Alexandra's Waltz | Harris Hausen, Harris S Hausen | F Major | 3 | 7B | 84 BPM | ||
| クワイ河マーチ(映画「戦場にかける橋」より) | ミッチー・ミラー合唱団 | C Major | 5 | 8B | 107 BPM | ||
| 太陽がいっぱい [太陽がいっぱいより] | スクリーン・サウンド・アート・オーケストラ | D Minor | 2 | 7A | 109 BPM | ||
| ライムライト | フィルム・スタジオ・オーケストラ | D♭ Major | 3 | 3B | 79 BPM | ||
| 喝采 | 河村利夫 | A Major | 3 | 11B | 104 BPM | ||
| 太陽がいっぱい | Nino Rota Grand Orchestra | G Minor | 3 | 6A | 139 BPM | ||
| 黒いオルフェ | Claude Ciari | E Minor | 2 | 9A | 111 BPM | ||
| 80日間世界一周 | フィルム・スタジオ・オーケストラ | D Major | 4 | 10B | 125 BPM | ||
| ブルー・ハワイ | Billy Vaughn & his Orchestra | F Major | 3 | 7B | 84 BPM | ||
| パリの空の下 | ピエール・ポルト | E Minor | 4 | 9A | 110 BPM | ||
| 禁じられた遊び(映画「禁じられた遊び」より) | Traditional, Kiyoshi Shomura | B Minor | 1 | 10A | 135 BPM | ||
| マホガニーのテーマ | マントヴァーニ・オーケストラ | G Major | 3 | 9B | 79 BPM | ||
| Bless the Beasts and Children | Antonio Rossi & His Orchestra | C Minor | 3 | 5A | 111 BPM | ||
| ある愛の詩 | フィルム・スタジオ・オーケストラ | B♭ Minor | 3 | 3A | 96 BPM | ||
| Endless Love | Henry Dubois | F Major | 3 | 7B | 84 BPM | ||
| アンドロメダ | 宮川 泰, シンフォニック・オーケストラ・ヤマト | G Minor | 3 | 6A | 74 BPM | ||
| ベン・ハー序曲(映画「ベン・ハー」より) | MGM交響楽団 | D♭ Major | 3 | 3B | 122 BPM | ||
| Yesterday, Once More | Antonio Rossi & His Orchestra | E Minor | 2 | 9A | 140 BPM | ||
| 嘆きのサンフォニー | レイモン・ルフェーヴル・グランド・オーケストラ | C Major | 2 | 8B | 79 BPM | ||
| How Deep Is Your Love | Norman Candler, Norman Candler Magic Strings | A♭ Major | 6 | 4B | 100 BPM |