On April 12, 2024, the song "Sonate e Partite: No. 18, Presto (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Sonate e Partite: No. 18, Presto (Recomposed by Luca Astolfoni Fossi)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 25 in Francesco Lecce: 67 Sonate e Partite. Works for Unaccompanied Violin Recomposed for Solo Flute by Luca Astolfoni Fossi, Book I by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite: No. 18, Presto (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 18, Presto (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Polifemo: Overture | Nicola Porpora, Stefan Plewniak, Orchestre de l'Opéra Royal | D♭ Major | 4 | 3B | 123 BPM | ||
| Concerto a cinque No. 8, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 3 | 11A | 111 BPM | ||
| Harpsichord Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai | Johann Sebastian Bach, Francesco Corti, Il Pomo D'oro | F♯ Minor | 4 | 11A | 133 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 129 BPM | ||
| Concerto grosso No. 1 in A Major: I. Adagio (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM | ||
| Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | ||
| Sonata for 4 Violins in C Major, TWV 40:203: III. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | B Major | 0 | 1B | 118 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Symphony in C Minor, J-C 9: II. Affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Concerto 2 in D Major, Op. 7: III. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 0 | 3A | 112 BPM | ||
| Goldberg Variations, BWV 988 (Arr. for Ensemble by Robin Pharo and Jean Rondeau): Var. XVI. Ouverture. a 1 Clav. | Johann Sebastian Bach, Nevermind | F♯ Major | 2 | 2B | 69 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: I. Vivace. Lento | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 3 | 11A | 92 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: I. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
| Concerto con Violoncello obligato No. 8 in D Major: I. Allegro | Giovanni Benedetto Platti, Sebastian Hess, Akademie für Alte Musik Berlin, Georg Kallweit | F Major | 5 | 7B | 107 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Introduzione teatrale op. 4 no. 2: Allegro | Pietro Locatelli, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 81 BPM | ||
| Concerto Grosso in B-Flat Major, Op. 6 No. 7, HWV 325: II. Allegro | George Frideric Handel, Academy of Ancient Music, Andrew Manze | A Major | 2 | 11B | 79 BPM | ||
| Concerto grosso No. 3 in D Minor: I. Largo andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 95 BPM | ||
| Mystery Sonata No. 10 "The Crucifixion": II. Aria - Variations | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| String Sonata à 5 in G Major, Op. 2 No. 1: III. Allegro assai | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 4 | 2B | 116 BPM | ||
| Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Violin Sonata No. 2 in D Minor, C. 139: I. [...] | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM |