"Road Research Laboratory" by Howard Shore had its release date on October 14, 2014. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Road Research Laboratory's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 22 in Crash (The Complete Original Score Remastered) [Collector's Edition Vol. 4] by Howard Shore. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Road Research Laboratory's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Road Research Laboratory by Howard Shore is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite from Poldark | Anne Dudley, The Chamber Orchestra Of London | A Minor | 2 | 8A | 84 BPM | ||
| Skull And Crossbones | Klaus Badelt | D Minor | 6 | 7A | 140 BPM | ||
| Andúril - Flame of the West | Howard Shore | A Minor | 0 | 8A | 60 BPM | ||
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| Earth | Lorne Balfe | F Major | 3 | 7B | 123 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| Truth | Ramin Djawadi | D Minor | 2 | 7A | 83 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Mulan's Decision | Jerry Goldsmith, Disney | B♭ Minor | 3 | 3A | 87 BPM | ||
| His Dark Materials | Lorne Balfe | C Minor | 5 | 5A | 86 BPM | ||
| Can You See Jane? | Patrick Doyle | E♭ Major | 1 | 5B | 65 BPM | ||
| Sons of Odin | Patrick Doyle | F Major | 5 | 7B | 126 BPM | ||
| Forth Eorlingas | Howard Shore, Ben Del Maestro | A Minor | 4 | 8A | 77 BPM | ||
| Finale - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 64 BPM | ||
| Everytime You Leave | Sonya Belousova, Giona Ostinelli | B Minor | 3 | 10A | 144 BPM | ||
| Old Bagdad | Jerry Goldsmith | F Minor | 3 | 4A | 76 BPM | ||
| The Streets of Whiterun | Jeremy Soule | D♭ Minor | 2 | 12A | 72 BPM | ||
| Death of a Master | Kevin Kiner, Takeshi Furukawa | G Minor | 2 | 6A | 67 BPM | ||
| The Courier | Trevor Jones | D♭ Major | 3 | 3B | 85 BPM | ||
| Courtyard Apocalypse | Alexandre Desplat | D♭ Major | 3 | 3B | 97 BPM | ||
| A River Runs Through It | Mark Isham | G Major | 4 | 9B | 133 BPM | ||
| Rey's Theme | John Williams | A Minor | 1 | 8A | 103 BPM | ||
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM |