"Robin Hood, Act II Scene 3: Chorus. How bright Is the day (Allan, Alice, Robin, Marian)" by George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp had its release date on October 4, 2011. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Macfarren, Ronald Corp, Victorian Opera Orchestra's "Macfarren: Robin Hood" album is number 18 out of 33. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Robin Hood, Act II Scene 3: Chorus. How bright Is the day (Allan, Alice, Robin, Marian)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Robin Hood, Act II Scene 3: Chorus. How bright Is the day (Allan, Alice, Robin, Marian) by George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
| Alléluia, Missa pro sponsis | Chœur Éphata, Rogatien Despaigne | A Minor | 3 | 8A | 99 BPM | ||
| Ps 104 | NWU PUK-CHOIR | A Major | 1 | 11B | 73 BPM | ||
| All-Night Vigil, Op. 37: XIII. The Troparion. "Today Salvation Has Come to the World" | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy | E Major | 1 | 12B | 123 BPM | ||
| O For a Thousand Tongues to Sing | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 1 | 10B | 167 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| When Jesus, Through Faith, Is My Savior SHZ 549 | Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta, Ashley Niemela, Marianna Saulamaa, Liisa Keranen | C Minor | 2 | 5A | 94 BPM | ||
| Robin Hood, Act II Scene 2: Duet. To the fair (Marian, Alice) | George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp | C Major | 1 | 8B | 101 BPM | ||
| St Anne’s Mass: II. Gloria | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 78 BPM | ||
| Emmanuel | Andrew Wright, The Brentwood Cathedral Consort | G Minor | 1 | 6A | 83 BPM | ||
| Sing, O People of the Lord SHZ 349 | Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta, Marianna Saulamaa, Liisa Keranen | E Minor | 1 | 9A | 88 BPM | ||
| Be Merciful unto Me, O God (Psalm 56) | Stanley Alcock, Gloriae Dei Cantores, Elizabeth C. Patterson | B♭ Minor | 1 | 3A | 100 BPM | ||
| The Mass: Gloria | Patrick Cassidy, Laude, David Harris, Christoph Bull | C Minor | 1 | 5A | 76 BPM | ||
| Psalm 38 "Put Me Not to Rebuke, O Lord in Thy Anger" | Jonathan Battishill, York Minster Choir, John Scott Whiteley, Philip Moore | B♭ Minor | 1 | 3A | 136 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| Listen sweet Dove | Grayston Ives, The Choir of Magdalen College, Oxford, Bill Ives, Jonathan Hardy | E♭ Major | 1 | 5B | 72 BPM | ||
| Hail Gladdening Light | Charles Wood, The Mancunium Consort | A Major | 2 | 11B | 73 BPM | ||
| Psalm 4 "Hear Me When I Call, O God of My Righteousness" | Philip Moore, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | B Major | 1 | 1B | 131 BPM | ||
| Mun kotini taivaassa ihana on (SL 260a) | Seuralaulu, SRK:n kuoro, SRK:n orkesteri, Juha Paukkeri | G Major | 1 | 9B | 171 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Kjell Mørk Karlsen: O Magnum Mysterium | Kjell Mørk Karlsen, Schola Cantorum, Tone Bianca Sparre Dahl | B Minor | 0 | 10A | 130 BPM | ||
| Orpheus with his flute | George Macfarren, Dresdner Kreuzchor, Roderich Kreile | F Major | 0 | 7B | 74 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Body of the Lord | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM |