Max Reger, Bamberg Symphony, Horst Stein's 'Concerto in Olden Style, Op. 123: 2. Largo' had a release date set for June 29, 2018. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Concertos, Sinfonietta" album is number 2 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto in Olden Style, Op. 123: 2. Largo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in Olden Style, Op. 123: 2. Largo by Max Reger, Bamberg Symphony, Horst Stein to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Das Orgel-Büchlein, BV B 27: No. 2, Wachet auf, ruft uns die Stimme (After J. S. Bach's BWV 645) | Ferruccio Busoni, Wolf Harden | G Major | 0 | 9B | 129 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| Suite bergamasque, L. 75: I. Prelude | Claude Debussy, Elliot Wuu | C Major | 5 | 8B | 154 BPM | ||
| Lieder ohne Worte, Op. 53: No. 5 in A Minor. Allegro con fuoco, MWV U 153 "Folksong" | Felix Mendelssohn, Igor Levit | A Minor | 2 | 8A | 144 BPM | ||
| Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
| The Nightmare Song | Olive the Otter Dog | B Major | 0 | 1B | 166 BPM | ||
| Liszt: Ave Maria IV, S. 545 | Franz Liszt, Stephen Hough | G Major | 0 | 9B | 93 BPM | ||
| 10 Pieces, Op. 69: No. 4, Moment musical in D Major | Max Reger, Bernhard Haas | B♭ Major | 0 | 6B | 62 BPM | ||
| Nocturne No. 5 in B-Flat Major, Op. 37 - Excerpt | Gabriel Fauré, Kathryn Stott | G Major | 1 | 9B | 71 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Clairières dans le ciel für Sopran und Klavier: No. 8, Vous m'avez regardé avec toute votre âme - 1914 | Lili Boulanger, Ehrbar Ensemble, Gerrit Zitterbart, Heidrun Blase | N/A | N/A | N/A | 0 BPM | ||
| 6 Chorale Preludes, BV B 50: Es ist ein Ros entsprungen, Op. 122/8 | Johannes Brahms, Ferruccio Busoni, Igor Levit | F Major | 0 | 7B | 69 BPM | ||
| Préludes, Book 2, L. 123 (Excerpts): No. 7, La terrasse des audiences du clair de lune | Claude Debussy, Jorge Federico Osorio | F♯ Major | 0 | 2B | 75 BPM | ||
| 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | ||
| Psalm 100, Op. 106: 1. "Jauchzet dem Herrn alle Welt" | Max Reger, Bamberg Symphony, Horst Stein, Chor der Bamberger Symphoniker, Fritz Walter-Lindquist | A Major | 2 | 11B | 92 BPM | ||
| Violin Sonata in A Minor: III. Minuetto | Sergei Taneyev, Boris Brovtsyn, Eldar Nebolsin | C Major | 0 | 8B | 58 BPM | ||
| Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| Nielsen: 5 Piano Pieces, Op. 3: No. 1, Folk Tune | Carl Nielsen, Leif Ove Andsnes | C Major | 0 | 8B | 76 BPM | ||
| Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
| Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| 52 Easy Chorale Preludes, Op. 67: No. 30, O Gott, du frommer Gott | Max Reger, Bernhard Buttmann | D Major | 0 | 10B | 124 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Nocturne, Op. 9,2 | Frédéric Chopin, Joanna Madroszkiewicz, Paul Gulda | E♭ Major | 0 | 5B | 115 BPM |