- BPM
- 68
- Key
- B♭ Major
- Camelot
- 6B
Requiem: IV. Liber Scriptus by Giuseppe Verdi, Sir Colin Davis, Karen Cargill, London Symphony Orchestra Song Details
"Requiem: IV. Liber Scriptus" by Giuseppe Verdi, Sir Colin Davis, Karen Cargill, London Symphony Orchestra had its release date on August 24, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #4 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Requiem: IV. Liber Scriptus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Requiem: IV. Liber Scriptus by Giuseppe Verdi, Sir Colin Davis, Karen Cargill, London Symphony Orchestra has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Requiem: IV. Liber Scriptus being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Music Key
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 29%
- Loudness
- -29.843 dB
- Acousticness
- 96%
- Danceability
- 11%
- Energy
- 3%
- Instrumentalness
- 1%
- Liveness
- 16%
- Loudness
- 50%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | |
 | War Requiem, Op. 66: xii. Dies Irae - Dies irae | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | B♭ Minor | 0 | 3A | 77 BPM | |
 | Four Last Songs: IV. At Sunset | Richard Strauss, Rafael Frühbeck de Burgos, London Symphony Orchestra | B♭ Major | 1 | 6B | 70 BPM | |
 | Also sprach Zarathustra, Op. 30: V. Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 57 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Parsifal, Act I: Recht so! Habt Dank! Ein wenig Rast! | Richard Wagner, José van Dam, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 57 BPM | |
 | German Requiem, Op. 45: Selig sind die Toten | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, Valery Gergiev | E♭ Major | 0 | 5B | 98 BPM | |
 | La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | |
 | Requiem in D Minor, K. 626: No 9, Offertorium - Hostias | Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra | C Minor | 1 | 5A | 81 BPM | |
 | Symphony No. 4 in A Minor, Op. 63: IV. Allegro | Jean Sibelius, Sir Colin Davis, London Symphony Orchestra | G Major | 0 | 9B | 117 BPM | |
 | Rusalka, Op. 114 / Act 1: Stalerá moudrost tvá vsechno vi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | |
 | Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | |
 | Boito: Mefistofele, Prologue: "Ave, Signor degli angeli e dei santi" (Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, London Symphony Orchestra | E Major | 1 | 12B | 86 BPM | |
 | Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | |
 | Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | A♭ Major | 0 | 4B | 93 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Alles Vergängliche (Chorus mysticus) | Gustav Mahler, Leonard Bernstein, London Symphony Orchestra | B Minor | 1 | 10A | 137 BPM | |
 | Stabat Mater, FP 148: I. Stabat mater dolorosa | Francis Poulenc, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 1 | 8A | 77 BPM | |
 | Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM | |
 | Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Minor | 2 | 4A | 114 BPM | |
 | Puccini: Messa di Gloria: Gloria in excelsis Deo - In terra pax - Laudamus te | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 2 | 4B | 108 BPM | |
 | Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | |
| Requiem in D Minor, K. 626: No 8, Offertorium - Domine Jesu | Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus, Andrew Kennedy, Anna Stephany, Darren Jeffery, Marie Arnet | F Major | 1 | 7B | 116 BPM | |
| Boito: Mefistofele, Act 1: "Juhé! Juhé! Juheisa! Juhé!" (Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, Wandsworth School Boys Choir, London Symphony Orchestra | G Major | 4 | 9B | 87 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | |
| La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM |
- ISRC
- GBDGQ0918304
- Label
- L-M Records/RCA Records