"Filthy Criminals / Chamber 17" by Nelson Riddle had its release date on 1966. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Filthy Criminals / Chamber 17's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 23 in Batman: The Movie (Original Motion Picture Score) by Nelson Riddle. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Filthy Criminals / Chamber 17 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Filthy Criminals / Chamber 17 by Nelson Riddle is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moon Goddess | Don Ralke | F Major | 2 | 7B | 98 BPM | ||
| I See Your Face Before Me | Enoch Light | E Major | 2 | 12B | 95 BPM | ||
| Lamento | Nelson Riddle | A Minor | 6 | 8A | 78 BPM | ||
| Sixteen Going On Seventeen | Ted Heath & His Music | B♭ Major | 6 | 6B | 125 BPM | ||
| Fascinating Rhythm | Don Ralke | C Minor | 2 | 5A | 173 BPM | ||
| When Your Lover Has Gone | Jackie Gleason | G Minor | 1 | 6A | 77 BPM | ||
| Mood Indigo | Les & Larry Elgart | G Minor | 2 | 6A | 82 BPM | ||
| Charade | Si Zentner | A Minor | 5 | 8A | 157 BPM | ||
| (There Is) Always Something There To Remind Me | Julius Wechter, The Baja Marimba Band | C Major | 5 | 8B | 84 BPM | ||
| Airport Love Theme #2 | Alfred Newman | E Major | 0 | 12B | 104 BPM | ||
| Trance Eterno | SonderRs | G Major | 3 | 9B | 116 BPM | ||
| Third Man Theme | Guy Lombardo | C Major | 2 | 8B | 116 BPM | ||
| Perfidia | Billy May | F Major | 3 | 7B | 118 BPM | ||
| Cuba Libre (Gurarcha) | Xavier Cugat & His Orchestra | A Minor | 6 | 8A | 110 BPM | ||
| Bikini Girls | Sven Libaek | F Minor | 1 | 4A | 90 BPM | ||
| Theme From ''The Unforgiven'' (The Need for Love) | Don Costa | A Minor | 3 | 8A | 63 BPM | ||
| Heart of Mine | Billy May & His Orchestra | A Major | 3 | 11B | 80 BPM | ||
| Old-Fashioned (Beguine) | Xavier Cugat & His Orchestra | B♭ Major | 4 | 6B | 101 BPM | ||
| Moonlight Becomes You | The Melachrino Strings and Orchestra | F♯ Minor | 2 | 11A | 97 BPM | ||
| Polka Dots And Moonbeams | Nelson Riddle | F Major | 3 | 7B | 49 BPM | ||
| A Pretty Girl Is Like a Melody | The Melachrino Strings | G Major | 3 | 9B | 85 BPM | ||
| The Fugitive Theme - Remastered | Si Zentner | C Major | 5 | 8B | 156 BPM | ||
| Gone With The Wind | Paul Weston | D Major | 2 | 10B | 70 BPM | ||
| Yesterdays | Jerome Kern, Kiri Te Kanawa, Nelson Riddle | G Minor | 1 | 6A | 71 BPM | ||
| Warsaw Concerto | Freddy Martin And His Orchestra, Jack Fina | B Major | 2 | 1B | 80 BPM |