Kärntner Doppelsextett's 'Wann das Singan nit war' had a release date set for March 15, 2018. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 20 in Für Di sing I a Liadle by Kärntner Doppelsextett. Based on our statistics, Wann das Singan nit war's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wann das Singan nit war by Kärntner Doppelsextett is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lord Jesus | Soma Of Boma | E Major | 0 | 12B | 78 BPM | ||
| Auf'n Heuboden | Finsterbach Quintett | B Major | 2 | 1B | 85 BPM | ||
| Geh Hansl pack dei´ Pinkerl z´samm | Tölzer Sänger | G Major | 1 | 9B | 134 BPM | ||
| Div' Piebalgas pravieši | Raimonds Pauls, State Choir Latvija, Māris Sirmais | E♭ Minor | 1 | 2A | 88 BPM | ||
| Radujte Se, Narodi | Anonymous, Katedralni Zbor Mostar, Nikica Kalogjera, Simfonijski Orkestar Mostar | F Major | 3 | 7B | 64 BPM | ||
| Herr, Zeige Uns Den Vater | Emmanuel Music Deutsch | A Major | 7 | 11B | 132 BPM | ||
| Naeng Endehononhu | Koor Ama Tanjung Priok | E Minor | 1 | 9A | 73 BPM | ||
| Dass du mich einstimmen lässt | Schulte & Gerth Studiochor, Christa Haag, Margret Birkenfeld | G Major | 2 | 9B | 207 BPM | ||
| Liebster Jesu, Wir Sind Hier | Kirchenchor Waldorf | F Major | 2 | 7B | 135 BPM | ||
| Herr, du bist die Liebe | Annette Bautz, Bettina Wünch, Helga Becker | D Major | 3 | 10B | 82 BPM | ||
| O Come, O Come Emmmanuel | Katwijks Christelijk Mannenkoor Jubilate | A Minor | 2 | 8A | 108 BPM | ||
| Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM | ||
| Jesus soll Herr und König sein - Live | Voice of Hope Music | B♭ Major | 4 | 6B | 79 BPM | ||
| Freut euch | Mädchenkantorei am Paderborner Dom, Gabriele Sichler-Karle | F Major | 2 | 7B | 107 BPM | ||
| Die Himmel rühmen der ewigen Ehre - Die Ehre Gottes in der Natur | Der Montanara Chor | C Major | 2 | 8B | 84 BPM | ||
| 65 O Senhor Jesus passava H4 | CCB Orquestra | E♭ Major | 0 | 5B | 136 BPM | ||
| Junga Tåg | Da-8Gsong | A Major | 2 | 11B | 93 BPM | ||
| Danket dem Herrn! Wir danken dem Herrn | Karl Friedrich Schulz, Gerhard Schnitter, Das Solistenensemble | B♭ Major | 3 | 6B | 161 BPM | ||
| Hirtenweise | Klobensteiner Stubenmusik | D Major | 0 | 10B | 68 BPM | ||
| Durch herrliche Auen | Hildor Janz, Feldzugschor | E♭ Major | 3 | 5B | 95 BPM | ||
| Rote Lippen soll man küssen | Kärntner Doppelsextett | D Major | 3 | 10B | 90 BPM | ||
| Du Berührst Mi | Kärntner Doppelsextett | E Major | 2 | 12B | 169 BPM | ||
| Und draußd geht da Wind | SteiBay Dreigesang | C Major | 3 | 8B | 182 BPM | ||
| Tebe Pojem | Enschede's Byzantijns Kozakkenkoor | A♭ Major | 1 | 4B | 104 BPM | ||
| Nearer My God to Thee / Näher, Mein Got Zu Dir | Waldbröler Männerensemble | G Major | 2 | 9B | 164 BPM |