"Take a Bite" by Peter Ian Jones, Stephen Matthew Porter had its release date on March 1, 2020. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Take a Bite's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Time to Deliberate - Hopeful Anticipation". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Take a Bite is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Take a Bite by Peter Ian Jones, Stephen Matthew Porter having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giants Were Here | SLPSTRM | G Major | 8 | 9B | 87 BPM | ||
| The Engagement | Silent Partner | C Major | 2 | 8B | 146 BPM | ||
| Idiot | Thomas Newman | C Major | 2 | 8B | 160 BPM | ||
| The Accountant | Mark Isham | E Minor | 2 | 9A | 100 BPM | ||
| Guardian Angel | Ian Post | G Minor | 3 | 6A | 126 BPM | ||
| Racing | Peter Ian Jones, David John Orr | E Major | 7 | 12B | 142 BPM | ||
| Women's Bible | Linda Perry | B♭ Minor | 1 | 3A | 68 BPM | ||
| Whiplash | Marcus Lee, Peter Ian Jones | E Major | 7 | 12B | 135 BPM | ||
| Sweet Pea | Peter Ian Jones, Marcus Lee | D Major | 5 | 10B | 126 BPM | ||
| Rise from the Ashes | Sam Shore | A Major | 6 | 11B | 125 BPM | ||
| Road to Glory | e-soundtrax | C Minor | 5 | 5A | 90 BPM | ||
| The River of Hope | Emmanuel Jacob | D Major | 0 | 10B | 68 BPM | ||
| After Blast | Gregg Lehrman, Boris Nonte | C Minor | 4 | 5A | 146 BPM | ||
| Sapphire Sky | Samuel Bohn, Christopher Worsey | A Minor | 2 | 8A | 85 BPM | ||
| Here's Hoping | Fabien Tell | E Major | 4 | 12B | 153 BPM | ||
| Attraction | Delphine Malaussena | D Minor | 4 | 7A | 180 BPM | ||
| Higher Kiss | TrackTribe | E Major | 9 | 12B | 128 BPM | ||
| Ticking Clocks | Universal Production Music | B Minor | 3 | 10A | 156 BPM | ||
| Piano Emotional | e-soundtrax | F♯ Major | 8 | 2B | 105 BPM | ||
| Clarity | Ian Post | A Minor | 7 | 8A | 113 BPM | ||
| Longer Distance | TrackTribe | F♯ Major | 4 | 2B | 86 BPM | ||
| Beach Walk | Unicorn Heads | G Major | 6 | 9B | 175 BPM | ||
| Steel Drifter | Marcus Lee, Peter Ian Jones | A Minor | 6 | 8A | 140 BPM | ||
| Feel So Lucky - Instrumental Version | Cody Francis | C Major | 8 | 8B | 88 BPM | ||
| Harmony Hills | Peter Ian Jones, Marcus Lee | A Minor | 4 | 8A | 120 BPM |