Bapi, Tutul's 'Besharam Instrumental' had a release date set for December 25, 2009. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Rann". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. The popularity of Besharam Instrumental is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Besharam Instrumental by Bapi, Tutul having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhuli Paru Nahin | Binod Rathod, Ira Mohanty | C Minor | 10 | 5A | 95 BPM | ||
| Dekh Dekh | Vinod Rathod, Pmila Jain | A♭ Minor | 7 | 1A | 120 BPM | ||
| Takia Tale | Raju Nanda, Saismita Nayak | B Minor | 10 | 10A | 85 BPM | ||
| JANEMANN KAHAN JAYENGE - Sambalpuri | Reetesh Suna | F Minor | 7 | 4A | 106 BPM | ||
| Kiye Se Gadhila Jhianku Lo | Ira Mohanty, Mohammed Aziz | B♭ Minor | 9 | 3A | 107 BPM | ||
| China Kandhei | Abhijit Majumdar, Lubun-Tubun, Lubun Sen | G Major | 9 | 9B | 160 BPM | ||
| BARI MEIN | Nagpuri Deewana, Swati Mishra | G Major | 9 | 9B | 128 BPM | ||
| Jagaku Heichi Jara | Bapi | A♭ Minor | 8 | 1A | 90 BPM | ||
| Tor Nakhra Toba Toba | Archana Padhi, M Ashish | B♭ Minor | 10 | 3A | 77 BPM | ||
| Chandra Badani | Papu Pom Pom | F Major | 9 | 7B | 127 BPM | ||
| Tu Juade Jibu | T.Shourie, Tapu Mishra | B Minor | 9 | 10A | 110 BPM | ||
| Mor Sapna Ke Ghar Ma | Chhaya, Sunil | D♭ Minor | 7 | 12A | 140 BPM | ||
| Mate Love Helare Jaaneman | Mantu Chhuria | F♯ Minor | 9 | 11A | 82 BPM | ||
| Baayani Lo | Bapi | B Minor | 10 | 10A | 134 BPM | ||
| Snehamayee | Bapi | G Major | 8 | 9B | 154 BPM | ||
| Sunday Re Setting | BISHNU MOHAN KABI, Suman | E Major | 9 | 12B | 138 BPM | ||
| Mate Dele Asubidha Heba Kaen Dhana | Ruku Suna | G Minor | 9 | 6A | 144 BPM | ||
| Jalebi Ras | Kesho Devi, Rajdev Nayak | D♭ Minor | 10 | 12A | 165 BPM | ||
| KIE NEIGALA RE MOR KANAR JHUMUKA | Archana Padhi | G Minor | 10 | 6A | 79 BPM | ||
| Kain Phula Ranga Tora Muhan Chandini | Kumar Bapi | A Minor | 8 | 8A | 162 BPM | ||
| Phulki Gali Rasa Maina | Swayam Padhi, Archana Padhi | B Minor | 9 | 10A | 138 BPM | ||
| Aji Mo Priyara Bahaghara | Shakti Mishra | F Minor | 6 | 4A | 142 BPM | ||
| Premara Khajuri Tadi | Swayam Padhi, Antara Chakraborty | D♭ Minor | 9 | 12A | 87 BPM | ||
| Sei Gapa Thila | Ira Mohanty, Kumar Lulu | E♭ Minor | 7 | 2A | 150 BPM | ||
| Thandi Thandi | Mungilal Akhande, Radha Bhabar | G Major | 8 | 9B | 125 BPM |