"Dazed" by Martin Dirkov had its release date on October 14, 2020. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "SHORTA (Original Motion Picture Score)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Dazed is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dazed by Martin Dirkov having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Journey Sequence | Max Richter | B♭ Major | 1 | 6B | 92 BPM | ||
| Dealing With Destruction | Hildur Guðnadóttir | C Major | 0 | 8B | 102 BPM | ||
| Solo | Atli Örvarsson | D Major | 2 | 10B | 69 BPM | ||
| Corpse on Bike | Martin Dirkov | F Minor | 3 | 4A | 62 BPM | ||
| Orizzonte Lunare | Non Binary | F Major | 1 | 7B | 64 BPM | ||
| Conveyance | Dan Wool | A♭ Minor | 9 | 1A | 128 BPM | ||
| Visite à l'usine | Bertrand Bonello | D Major | 4 | 10B | 99 BPM | ||
| Lonely Void | Mica Levi | F♯ Major | 1 | 2B | 81 BPM | ||
| Do Not Answer | Ramin Djawadi | E Major | 2 | 12B | 69 BPM | ||
| The President Still Thinks We're At War With Japan | Nathan Micay | F♯ Major | 6 | 2B | 163 BPM | ||
| The Fourth Appendix | Theodore Shapiro, Rob Moose | D♭ Major | 8 | 3B | 128 BPM | ||
| Samira's Theme | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| THE KEYS | Huset, Martin Dirkov | F Minor | 1 | 4A | 68 BPM | ||
| They Didn't Look Real | Thomas Newman, Julia Newman | C Minor | 0 | 5A | 100 BPM | ||
| Unicas Oportunidades | Mutua Admiración | D♭ Major | 0 | 3B | 68 BPM | ||
| The Art of Tennis | Jonas Struck, Vladislav Delay | G Minor | 2 | 6A | 82 BPM | ||
| Jimmy in the Temple | Hildur Guðnadóttir | A♭ Major | 0 | 4B | 175 BPM | ||
| Masking Tape | Jason Hill | F Minor | 4 | 4A | 76 BPM | ||
| A Man and His Destiny | Greco Casadesus | E♭ Minor | 1 | 2A | 117 BPM | ||
| Phone Call | Nicholas Britell | F Minor | 0 | 4A | 60 BPM | ||
| The Bitter End | Zilgi | F Minor | 1 | 4A | 181 BPM | ||
| Bring Her Back | Cornel Wilczek, The Newmarket Collective | G Major | 2 | 9B | 75 BPM | ||
| Red Fish | Martin Dirkov | B♭ Major | 2 | 6B | 73 BPM | ||
| Calico | Emile Mosseri | E♭ Major | 2 | 5B | 74 BPM | ||
| Juliette | Atli Örvarsson | G Minor | 3 | 6A | 140 BPM |