"An Indissoluble League" by Christopher Gordon had its release date on January 1, 1998. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. An Indissoluble League's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christopher Gordon's "Moby Dick (Original Soundtrack)" album is number 14 out of 41. On top of that, United States appears to be the country where this track was created. In terms of popularity, An Indissoluble League is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of An Indissoluble League by Christopher Gordon to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kluge: Dreams and Echoes | Kathryn Kluge | G Major | 0 | 9B | 68 BPM | ||
| Farewell at the Coast | Ingo Ludwig Frenzel | E Minor | 1 | 9A | 47 BPM | ||
| Let Us Quest! | Steve Jablonsky | C Major | 6 | 8B | 103 BPM | ||
| May Your Souls Take Flight | Atli Örvarsson | D Major | 2 | 10B | 110 BPM | ||
| Nach Deutschland | John Powell, Pete Anthony, The Hollywood Studio Symphony | F Minor | 2 | 4A | 100 BPM | ||
| Daybreak | Christopher Gordon | F♯ Minor | 2 | 11A | 112 BPM | ||
| Dressing Down | Rupert Gregson-Williams | A Minor | 2 | 8A | 116 BPM | ||
| Marina's Theme - The Wildflowers | Hanan Townshend | D♭ Minor | 1 | 12A | 92 BPM | ||
| Farewell / End Title | John Barry | G Major | 1 | 9B | 143 BPM | ||
| London 1998 | Howard Shore | D Minor | 0 | 7A | 65 BPM | ||
| Radio Broadcast | Dario Marianelli, Víkingur Ólafsson | A♭ Major | 1 | 4B | 59 BPM | ||
| The Lowdown | Dario Marianelli | G Major | 5 | 9B | 138 BPM | ||
| The Burial Cloud: From The Beach, Silently Weeping | Christopher Gordon | E Minor | 1 | 9A | 73 BPM | ||
| In Search Of The Grail | Trevor Jones | D Minor | 1 | 7A | 57 BPM | ||
| El primer cuento | Fernando Velázquez | A Minor | 1 | 8A | 127 BPM | ||
| Meeting With The King | Joseph Vitarelli | D Minor | 2 | 7A | 100 BPM | ||
| The Cuckold Comes out of the Amery (Arr. Davies, Gordon and Tognetti) | Traditional, Richard Tognetti, Phillip Ayling, Michael Fisher | D Major | 5 | 10B | 125 BPM | ||
| Armstrong: Immensities | Craig Armstrong, A.R. Rahman | C Major | 1 | 8B | 82 BPM | ||
| Guilty | Paul Cantelon | C Minor | 1 | 5A | 91 BPM | ||
| Centurion | Ilan Eshkeri | D♭ Minor | 1 | 12A | 86 BPM | ||
| John Says Goodbye | Joseph Vitarelli | A Minor | 1 | 8A | 78 BPM | ||
| Shores of Respite | BBC Concert Orchestra, Sarah Class | B♭ Major | 4 | 6B | 83 BPM | ||
| Austin Friars | Debbie Wiseman | G Major | 1 | 9B | 122 BPM | ||
| Icarus - From The Original Motion Picture Soundtrack "The Aviator" | Howard Shore, Flemish Radio Orchestra | D Minor | 2 | 7A | 108 BPM | ||
| Armstrong: Destiny Theme | Craig Armstrong, A.R. Rahman | E♭ Minor | 3 | 2A | 95 BPM |