On March 8, 1999, the song "Olvendara" was released by Hamsalekha, Rajkumar. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Tuvvi...Tuvvi...Tuvvi... (Original Motion Picture Soundtrack)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Olvendara's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Olvendara by Hamsalekha, Rajkumar having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh Hrudaya Oh Hrudaya | Hemanth, Nanditha | D Major | 6 | 10B | 104 BPM | ||
| Sangathi Neenu | L.N.Shastri,V.Nagendra Prasad | D Major | 5 | 10B | 88 BPM | ||
| Navile | Hamsalekha, S. P. Balasubrahmanyam | A♭ Major | 7 | 4B | 172 BPM | ||
| Oh Hrudaya (From "Mussanjemaatu") | Udit Narayan | G Minor | 7 | 6A | 102 BPM | ||
| Aleyo Ale | L.N. Shastri, S. Narayan, S. P. Balasubrahmanyam | F♯ Minor | 8 | 11A | 80 BPM | ||
| Sevanthiye Sevanthiye - Male Vocals | V. Manohar, S. P. Balasubrahmanyam, S. Narayan | C Major | 9 | 8B | 86 BPM | ||
| Rambe Ee Vyarada (From "Aadithya") | B. Jayashree, Sriranga | D Major | 5 | 10B | 117 BPM | ||
| Hrudaya Nin Impada | Chethana, Divya | A Minor | 4 | 8A | 150 BPM | ||
| Tamma Tamma | Dr. Rajkumar, Hamsalekha | G Minor | 4 | 6A | 104 BPM | ||
| Kushiyagide | Kunal Ganjawala | B Minor | 6 | 10A | 100 BPM | ||
| Olavina Udugore | P. Jayachandran, P. Susheela | D Major | 7 | 10B | 117 BPM | ||
| Ellellu Oduva Manase - Female Vocals | Anuradha Bhat, Arasu Anthare | F Minor | 5 | 4A | 138 BPM | ||
| Ek Do Theen Chaar | Latha Hamsalekha, Hamsalekha | F Major | 6 | 7B | 130 BPM | ||
| O Aajare | Udit Narayan, Mahalakshmi Iyer | D Major | 9 | 10B | 112 BPM | ||
| Koti Palavi | K. S. Chithra | D Minor | 7 | 7A | 170 BPM | ||
| Yello Hutti Yello Haridhu | Hariharan, Sadhu Kokila, Ranganath | E Major | 6 | 12B | 174 BPM | ||
| Rasika Ba Baro Rasika | Upendra, Souwmya | F Minor | 5 | 4A | 124 BPM | ||
| Gadibidi Ganda Neenu (From "Gadibidi Ganda") | S. P. Balasubrahmanyam, K. S. Chithra | D♭ Major | 7 | 3B | 99 BPM | ||
| Manasa Gange | V. Harikrishna, V Nagendra Prasad, Sonu Nigam | A♭ Minor | 7 | 1A | 88 BPM | ||
| Yello Jogappa | Shankar Mahadevan, Sunitha | B Minor | 7 | 10A | 100 BPM | ||
| Cindrella Cindrella | Hari, Lokesh Krishna | D Minor | 9 | 7A | 127 BPM | ||
| Mussanje Mathali (From "Mussanjemaatu") | Hemanth Kumar, Bhaskar Gubbi | A Major | 6 | 11B | 112 BPM | ||
| Thaayi Thaayi | Dr. Rajkumar, Hamsalekha | A♭ Major | 7 | 4B | 156 BPM | ||
| Megharajane | Hamsalekha, S. Janaki | D♭ Major | 7 | 3B | 107 BPM | ||
| Ee Preethiya Marethu | S. P. Balasubrahmanyam, K. S. Chithra | A Minor | 4 | 8A | 140 BPM |