"Panis Angelicus" by Franco Corelli had its release date on January 9, 1955. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 36 in Bella Napoli by Franco Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Panis Angelicus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Panis Angelicus by Franco Corelli is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
| Senza Nisciuno | Franco Corelli | A Major | 1 | 11B | 67 BPM | ||
| Non t'amo più | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | B♭ Minor | 1 | 3A | 80 BPM | ||
| 'A Vucchella | Franco Corelli | F Major | 0 | 7B | 99 BPM | ||
| Amapola | Tito Schipa | D Major | 1 | 10B | 75 BPM | ||
| Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 1 | 2B | 87 BPM | ||
| La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
| Bellini: Norma, Act 1: "Me protegge, me difende" (Pollione) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Franco Corelli | E♭ Major | 3 | 5B | 74 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Ramón Vargas | G Minor | 1 | 6A | 184 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| Mandulinata a mare | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | A Major | 2 | 11B | 89 BPM | ||
| Bellini: Norma, Act 1: "Vanne, sì: mi lascia, indegno" (Norma, Adalgisa, Pollione, Chorus) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Coro Del Teatro Alla Scala Di Milano, Franco Corelli, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Major | 4 | 10B | 90 BPM | ||
| Pecche | Franco Corelli | A Major | 1 | 11B | 67 BPM | ||
| Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Marcello, Mimì) | Giacomo Puccini, Thomas Schippers, Mario Sereni, Mirella Freni, Nicolai Gedda, Orchestra Del Teatro Dell'Opera Di Roma | G Major | 4 | 9B | 78 BPM | ||
| I' Te Vurria Vasa! | Franco Corelli | A Major | 1 | 11B | 67 BPM | ||
| Ciao Ciao, Bambina | Domenico Modugno, Mario del Monaco, Mantovani | F Major | 4 | 7B | 113 BPM | ||
| Macbeth / Act 4: "O figli, O figli miei!" - "Ah, la paterna mano" | Giuseppe Verdi, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 2 | 3B | 90 BPM | ||
| La traviata, Act I: Libiamo ne lieti calici | Giuseppe Verdi, Marta Torbidoni, Michail Michailov, Anton Keremidtchiev, Elisabetta Lombardi, Emilia Kircheva, Alexander Baranov, Orfey Petrov, Nikola Ivanov, Peter Petrov, Sofia Philharmonic Orchestra, Ljubka Biagioni | B♭ Major | 1 | 6B | 104 BPM | ||
| Le nozze di Figaro, K. 492, Act I: No. 6, Non so più – Ah, son perduto! | Wolfgang Amadeus Mozart, Frederica von Stade, Lucia Popp, Thomas Allen, Robert Tear, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 1 | 5B | 137 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
| Les pêcheurs de perles, WD 13 / Act 1: "C'est toi"... "Au fond du temple saint" | Georges Bizet, Gregory Cross, Gino Quilico, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 140 BPM | ||
| Un bel di vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | A Major | 1 | 11B | 67 BPM | ||
| Caruso | Lucio Dalla, Vittorio Grigolo, Pier Giorgio Morandi | F♯ Minor | 1 | 11A | 67 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Verdi: Il trovatore, Act 3: "Di quella pira" (Manrico, Ruiz, Leonora, Chorus) | Giuseppe Verdi, Thomas Schippers, Angelo Mercuriali, Franco Corelli, Gabriella Tucci, Orchestra Del Teatro Dell'Opera Di Roma | C Major | 4 | 8B | 59 BPM |