On May 13, 1991, the song "You Came a Long Way from St Louis" was released by Frank Ifield. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. You Came a Long Way from St Louis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Best Of The EMI Years". In this album, this song's track order is #12. In terms of popularity, You Came a Long Way from St Louis is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With You Came a Long Way from St Louis by Frank Ifield having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Born A Woman | Sandy Posey | C Major | 5 | 8B | 115 BPM | ||
| A Rose and a Baby Ruth | George Hamilton IV | A Major | 3 | 11B | 91 BPM | ||
| Little Children | Billy J. Kramer, The Dakotas | B♭ Major | 5 | 6B | 105 BPM | ||
| Whistle Walking | Ned Miller | F♯ Major | 2 | 2B | 76 BPM | ||
| Red Roses For A Blue Lady | Vic Dana | B Major | 3 | 1B | 110 BPM | ||
| Moody River | Johnny Burnette, The Johnny Mann Singers | A♭ Minor | 4 | 1A | 68 BPM | ||
| Wrought Iron Ring | Bill Pere | F Major | 4 | 7B | 118 BPM | ||
| When I Grow Too Old to Dream | Ruby Murray | B♭ Major | 1 | 6B | 78 BPM | ||
| Seven Little Girls Sitting in the Back Seat | The Avons | D Major | 3 | 10B | 69 BPM | ||
| I begin to understand - Demo | Clås & Håns | E♭ Major | 6 | 5B | 79 BPM | ||
| You Win Again | Tommy Edwards | D♭ Major | 3 | 3B | 88 BPM | ||
| Little Things Mean a Lot | Joni James | D Major | 3 | 10B | 69 BPM | ||
| The Special Years | Val Doonican | G Major | 3 | 9B | 99 BPM | ||
| Living in the Past | Johnny Crawford | B♭ Major | 4 | 6B | 99 BPM | ||
| Shutters and Boards | Jerry Wallace | C Major | 5 | 8B | 132 BPM | ||
| May I Have the Next Dream with You | Malcolm Roberts | F♯ Major | 6 | 2B | 87 BPM | ||
| James Hold The Ladder | Sue Thompson | B♭ Major | 6 | 6B | 138 BPM | ||
| Until It's Time For You To Go | The Four Pennies | F♯ Major | 5 | 2B | 104 BPM | ||
| My Happiness | Paul & Paula | D Major | 3 | 10B | 69 BPM | ||
| The Wedding | Julie Rogers | A♭ Major | 4 | 4B | 97 BPM | ||
| Rainbow - Alternate Take | Russ Hamilton | D Major | 3 | 10B | 69 BPM | ||
| Danny Boy | Des O'Connor, Mike Sammes Singers | C Major | 4 | 8B | 79 BPM | ||
| What Do You Want to Make Those Eyes at Me for | Emile Ford & The Checkmates | F♯ Minor | 5 | 11A | 137 BPM | ||
| Little Arrows | Leapy Lee | B Major | 7 | 1B | 104 BPM | ||
| Sea of Heartbreak | Leroy Van Dyke | F Major | 8 | 7B | 98 BPM |