"Endgame" by Mark Isham had its release date on December 3, 2021. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Hitcher (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Endgame is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Endgame by Mark Isham having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Separations | Roque Baños | F Minor | 0 | 4A | 67 BPM | ||
| Ethel Main Title | Miriam Cutler | F Major | 1 | 7B | 120 BPM | ||
| First Hurdle Down | Martin Phipps | A♭ Minor | 2 | 1A | 108 BPM | ||
| We'll Be #1 | William Ross | B♭ Major | 1 | 6B | 122 BPM | ||
| The Wind | Jan A.P. Kaczmarek | E Minor | 2 | 9A | 67 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| He is Everywhere | Roque Baños | A Major | 1 | 11B | 63 BPM | ||
| Anger and Apparition | Guy Farley | D Minor | 1 | 7A | 175 BPM | ||
| One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM | ||
| The End Of The World | Clinton Shorter | E Minor | 1 | 9A | 79 BPM | ||
| A Contract With The Jury | Clinton Shorter | G Major | 0 | 9B | 77 BPM | ||
| Glasgow Love Theme - From "Love Actually" | Craig Armstrong, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Major | 1 | 11B | 136 BPM | ||
| Stop the Ship (Relapse) | Mark Isham | F Major | 0 | 7B | 60 BPM | ||
| I Built Myself A Life | Mark Isham | A♭ Major | 1 | 4B | 82 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Journeys | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| Me Before You Orchestral | Craig Armstrong | C Major | 1 | 8B | 73 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| John And Savannah | Deborah Lurie | E♭ Major | 1 | 5B | 78 BPM | ||
| El Collar | Roque Baños, Pro Arte Orchestra Of London | E Minor | 0 | 9A | 85 BPM | ||
| Dog Happiness | Dario Marianelli | G Major | 2 | 9B | 100 BPM | ||
| Walter's Burial | Marc Streitenfeld | G Minor | 1 | 6A | 78 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| First Memory | Marco Beltrami | B♭ Major | 1 | 6B | 146 BPM | ||
| The Final Kiss | Mario Malagnini | G Major | 1 | 9B | 94 BPM |